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J.J.Sowney 
C.D.Standish 
Geo.A. Zabriskie 
W.A.de Wolf 
Henry Schuitheis 
H.A.ALst 
R.F.Kilpatrick 
Mr.Stanton 
R.F.Kilpatrick 
Geo.A.Zabriskie 
H.F.Smith 
Mrs.N.B.Foster 
Mrs.S.Kowler 
&.T.Shaw, Jr. 
Feo.A.Zabriekie 
J.L.Stanton 
Dr.¥.Whiting 
W.W.Miller 
Herman Duval —— 
Muller Art Gall. 
Mrs.C.R.Emry 


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: Jonn Levy Galls. 
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S.T.Shaw, Jr. 
Marion H.Zabriskie 
Mrs.C.R.Emry 
P.R.BLong 
J.Read 
John J.Sowney 
Macbeth Galls. 
Ainslie Galls. 
B.H.Grewthal 
P.R.~Blong 
John J.Sowney 
Ferargil Galls. 
" 


Chester Dale 
Muller Gail. 
Rehn Galls. 
R.Pxkii patrick 
Rudert, Agt. 
J.Read 

Walter M.Hill 
Muller Art Gall. 
B.H.Frewthal 
J.-L. Stanton 
Mrs.S.Kowler 
H.A.OLst 
Carvallis Bros. 
Chester Dale 
J-Read 

Frank D.Shea 
J.L.Stanton 


J-Read ~ oe 
Muller Art Gall 
Edward N.MeeMahon 
J.L.Stanton 
H.H.Feiber 
Chester Dale. 
J-Reid 
Geo.A. Zabriskie 
J.J.Sowney 
L.Reiheiser 
Seaman, agt. 
Mr.O'Reilly 
L.Reiheiser 
Milch Galls. . 
R.F.Kilpatrick 
Rehn Galis. 
Milch Galle. 
Macbeth Galls. 
Macbeth Galis. 
R.F Kilpatrick 
W.A.De Wolf 
Mrs.S.Kowler 
J.L.Stanton 
Geo.A. Zabriskie 
J.-L. Stanton i 
B.H.Grewthal 
W.A.De Wolf 
B. Frederick 
Geo.A.Zabriekie 
S.f.Shaw, Jr. 
J-UueStbanton. 
R.F. Kilpatrick 
B,.Frederich. 
J«b. Stanton. 

W 
Herman Duval 
H.F.Smith 
Ainslie Gallery 
N.M.Vose 
B.Frederick 
Ainslie Galls. 
J.«L.Stanton. 
R.S.Day. 
J.Hamilton 

ft 
J.Whren 
J «Hamilton 

tt 
Chester Dale 
J.Hamiiton 
Chester Dale. 


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Red. J. Hamilton 
we 60. Albert Steigiétz 
ee. OS 80. J.Hamilton. 
24. S00. Mrs.P.R.Blong 
125. i170. Mrs.Le Roy ireland 
328. YO. Girard 
ae Wy ge 200. S.A.Fatman 
i2B. 175. Ainslie Galis. 
i129. S20. W.W.C.Meade 
150. 210. W.T.Baird 
131. 200. W.L.Clark 
ise. 175. Herman Duval 
(155. 70. J-Hamiiton 
6-134. 200. W.W.Meade. 
1I38:: 100. H.A.Olst 
136. 150. S.T.Shaw, Jr. 
137. 1. Chester Dale 
138. 150. Henry Field 
a 60. Calo Galls. 
ae 50. David Roberts _ 
REGGE Ts i70. Seaman, aft. 
ide. 210 . J.Read. 
143. 150. J .Gawney 
i144, BS. J.Hamilton 
145. 300. Aibert Stieglitz 
146. die. J-Hamilton 
147. 90. Mulier Galils. 
148 TGs Girard 
149, 450. Robert T.Swaine 
25D. 8c. " 
pista 450. F.Leval 
53% aus J.Hamilton 
183. 410. Ainslie Galls. 
is4. E20. Henry Schultheis 
2550 500. Chester Dale. 
156. 160. Paul Farrington 
EST 525° David Roberts 
158. 160. Ainslie Gslis. 
Lae > Leos T.G, Wylie 
160. 280. Carvallio Bros. 
Ao: a Mulier Galls. 
162 150. E.A.Nobje 


. £ Ween 
ee Hamiiton 


“ aes Galls. 


Seaman, agt. 


Metropolitan Galls. 


Herman Duval 
-Rehn Galis. 
Macbeth Galis. 
Milch Galls. 
Ainslie Galls. 
Henry Schultheis 
L.Perara. 
Macbeth Galis. 
Babcock Galls. 
Milch Gallis. 
Robt.1T. Swaine 
J.Read. 

W.L. Clark 
Macbeth Galls. 
Ferargil Gells. 
J.Lévy Galls. 
W.L. Clark 
Chester Dale. 
Ainslie Galis. 
Maebeth Vallis. 


pS TELL 
' J.W.Sowney 


J.Levy Galis. 
Miss k,M.Greacin 
Seaman, agt. 
Harold E.Whitman 
Seaman, agt. 
F.Buscher 
Paul Farrington 
R.F.Kilpatrick 
H.Witteman 
David Koberts 
J-Hamilton 
H.Witteman 

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ON PREE PUBLIC. EXHIBITION 


| m Saturday, January 1 6, Until Time of Sale 
Weekdays 9am, Se ue SP m. 


6 a, 
Bie i 


— 


Exhibition and Sale at the 


2 AMERICAN Art GALLERIES 
“ MADISON AVENUE + 56h TO 57¢h STREET | 


7 New York (ity 


x 


1926 


bal a 


Courtesy of the Salmagundi Club 


PORTRAIT OF Mr. SAMUEL T. SHAW  ~ 
(By Wayman Adams) 


THE SAMUEL T. SHAW 
COLLECTION OF 


_ AMERICAN PAINTINGS 


CANVASES BY~-REPRESENTATIVE AMERICAN 
ARTISTS INCLUDING: BOGERT, CARLSEN, 

--_ CRANE, CHASE, CURRAN, DESSAR, DE HAVEN, 
. ~ GAY, HASSAM, McCORD, MURPHY, METCALF, 
_OCHTMAN, ROBINSON, SMITH, TWACHTMAN, 

WEIR, WALKER, WIGGINS, WILES AND WYANT 


sales. (onducted by Mr. Y. Bernet & Mr. FH. Fl. Parke 


AMERICAN ART ASSOCIATION - INC. 
MANAGERS 


a 
a or lad 
ly eae oe 


* en 


oe 


na 


CONDITIONS OF SALE 


I. REJECTION OF BIDS: Any bid which is not commensurate with 
the value of the article offered, or which is merely a nominal or fractional 
advance, may be rejected by the auctioneer if in his judgment such bid would 
be likely to affect the sale injuriously. 


_ Il. THEBUYER: The highest bidder shall be the buyer, and if any 
dispute arises between two or more bidders, the auctioneer shall either decide 
the same or put up for re-sale the lot so in dispute. 


III. IDENTIFICATION AND DEPOSIT BY BUYER: The name of the 
buyer of each lot shall be given immediately on the sale thereof, and when so 
required, each buyer shall sign a card giving the lot number, amount for 
which sold, and his or her name and address. 

A deposit at the actual time of the sale shall be made of all or such part 
of the purchase prices as may be required. 

If the two foregoing conditions are not complied sa the lot or lots so 
purchased may at the option of the auctioneer be put up again and re-sold. 


IV. RISK AFTER PURCHASE: Title passes upon the fall of the 
auctioneers hammer, and thereafter the property is at the purchaser’s risk, 
and neither the consignor nor the Association is responsible for the loss of, 
or any damage to any article by theft, fire, breakage, however occasioned, or 
any other cause whatsoever. 


V. DELIVERY OF PURCHASES: Delivery of any purchases will be 
made only upon payment of the total amount due for all purchases at the sale. 


VI. RECEIPTED BILLS: Goods will only be delivered on presentation 
of a receipted bill. A receipted bill presented by any person will be recog- 
nized and honored as an order by the buyer, directing the delivery to the 
bearer of the goods described thereon. If a receipted bill is lost before 
delivery of the property has been taken, the buyer should immediately notify 
the Association of such loss. 


VII. STORAGE IN DEFAULT OF PROMPT PAYMENT AND 
CALLING FOR GOODS: Articles not paid for in full and not called for by 
the purchaser-or agent by noon of the day following that of the sale may 
be turned over by the Association to some carter to be carried to and stored 
in some warehouse until the time of the delivery therefrom to the pur- 
chaser, and the cost of such cartage and storage and any other charges will 
be charged against the purchaser and the risk of loss or damage occasioned 
by such removal or storage will be upon the purchaser. 

In any instance where the purchase bill has not been paid in full by 
noon of the day following that of the sale, the Association and the auctioneer 
reserve the right, any other stipulation in these conditions of sale notwith- 
standing, in respect to any or all lots included in the purchase bill, at its or 
his option, either to cancel the sale thereof or to re-sell the same at public 
or private sale without further notice for the account of the buyer and te 
hold the buyer responsible for any deficiency and all losses and expenses sus- 
tained in so doing. 


VIII. SHIPPING: Shipping, boxing or wrapping of purchases is a busi- 
ness in which the Association is in no wise engaged, but the Association will, 


: fr 
however, afford to purchasers every facility for employing at current and. 
reasonable rates carriers and packers; doing so, however, without any assump- 
tion of responsibility on its part for the acts and charges of the parties engaged 
for such service. ; 


LX. GUARANTY: The Association exercises great care to catalogue 
every lot correctly and endeavors therein and also at the actual time of sale 
to point out any error, defect or imperfection, but guaranty is not made either 
by the owner or the Association of the correctness of the description,. genu- 
ineness, authenticity or condition of any lot and no sale will be set aside on 
account of any incorrectness, error of cataloguing or imperfection not noted 
or pointed out. Every lot is sold “as is’ and without recourse. 

Every lot is on public exhibition one or more days prior to its sale, and 
the Association will give consideration to the opinion of any trustworthy expert 
to the effect that any lot has been incorrectly catalogued and in its judg-. 
ment may thereafter sell the lot as catalogued or make mention of the opinion 
of such expert, who thereby will become responsible for such damage as might 
result were his opinion without foundation. 


X. RECORDS: ‘The records of the auctioneer and the Association are 
in all cases to be considered final and the highest bid shall in all cases be 
accepted by both buyer and seller as the value against which all claims for 
losses or damage shall lie. | 


XI. BUYING ON ORDER: Buying or bidding by the Association for 
responsible parties on orders transmitted to it by mail, telegraph, or tele- 
phone, if conditions permit, will be faithfully attended to without charge or 
commission. Any purchases so made will be subject to the foregoing condi- 
tions of sale, except that, in the event of a purchase of a lot of one or more 
books by or for a purchaser who has not through himself or his agent been 
present at the exhibition or sale, the Association will permit such lot to be 
returned within ten days from the date of sale, and the purchase money will 
be refunded, if the lot ‘differs from its catalogue description. 

Orders for execution by the Association should be given with such clear- 
ness as to leave no room for misunderstanding. Not only should the lot num- 
ber be given, but also the title, and bids should be stated to be so much for 
the. lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one trans- 
mitting the order is unknown to the Association, a deposit must be sent or 
reference submitted. Shipping directions should also be given. 

PRICED CATALOGUES: Priced copies of the catalogue, or any session 
thereof, will be furnished by the Association at charges commensurate with 


the duties involved in copying the necessary information from the records of 
the Association. 


‘These conditions of sale cannot be altered except by the auctioneer or 
by an officer of the Association. 


AMERICAN ART ASSOCIATION, Inc. 


OTTO BERNET ManacGeErs 
HIRAM H. PARKE 
AUCTIONEERS 


TERR LT ee 


INTRODUCTORY NOTE 


The Collection of American pictures formed by Samuel 
T. Shaw, Esq., donor (1892-1906) of the Shaw Fund of the © 
Society of American Artists, is that of a man who has given 
a considerable portion of his life to the encouragement of 
American painting. 

It is with pleasure that the American Art Association 
renders, in its endorsement of Dr. Hunt’s appreciation, a 
small tribute to the honorable unselfishness and enthusiasm of 
a man who has been an inspiring force behind the progress of 
so many of the foremost painters of the day. 


AMERICAN ART ASSOCIATION, INC. 


ee 


FOREWORD 


HE sale and dispersal of Samuel T. Shaw’s collection of 
pictures will be a milestone, and a very prominent one, on 
the highway along which American art is steadily advanc- 
ing. The Shaw collection occupies a place that none other 
ie has ever filled, or even attempted to fill, because it consists 
chiefly of canvases chosen by artists exhibiting in our foremost picture 
) shows, as the best, technically and artistically, among the thousand 
_ hung; also because these pictures were done when our American painters 
had fairly settled into their stride and had given to American art, for 
the first time, a cachet all its own. 

Furthermore, Mr. Shaw has gathered and cherished these canvases 
because of his innate love of the beautiful and his sincere desire to en- 
courage those men about him who are devoting their lives to art here in 
America, and has not only sympathized with, but put into practice, 
Whistler’s dictum: “The final verdict on the merits of a picture must 
be that of the artist.’’ The Shaw collection is, and will be of far more 
interest in the history of American art development than any group of 
‘‘primitifs,’’—-which were under the sway of the great school of British 
portrait painters; furthermore, the influence of the artists here repre- 
sented will be more widespread and lasting than that of the ‘colored 
photograph”’ Hudson River school, or of all the Dusseldorf gems and 
bravura posings of Munich put together. 

The collection is noteworthy for another reason: It marks the 
epoch of a parting of the ways in American art, and strikingly differen- 
tiates the standards of taste between romantic, poetic, and ideal pro- 
ductions, and the now threatened radical movement of realistic rational- 
ism. he artists who painted these canvases were one with us and our 
environment, and not men living apart, aloof, detached and outside the 
current of contemporary humanity. There is diversity in the types of 
men and their output:—Benson, a pioneer of broken, vibrant color; 
Theodore Robinson, our first impressionist, and with him Twachtman, 
Ochtman and Hassam; Prof. Weir and Wm. M. Chase, eminent teach- 
ers; Wiggins and Mcllhenny, the virile animal painters; H. O. 
Walker and his appealing treatment of youth; Wyant, atmospheric, 
his pictures like the note of the hermit thrush in a deep wood; Metcalf 
and Redfield, portrait painters of nature; Murphy and Ranger, the 


twain who so long dominated landscape in the realm of art; McCord, © 
Crane and Granville Smith, imbued with sentiment of sea and sky; Gay, 
Volk, C. Ryder, H. Nichols, Curran, De Haven,—but why go on when ~ 
their canvases speak so eloquently? : 

Clever was the French critic who said:—‘‘Criticism of one’s con- — 
temporaries ceases to be criticism and becomes conversation.” 

And he who has made this collection, Mr. Shaw, combines in him- — 
self qualities very rarely found united in one individual, for he was an 
art student in youth and early manhood; indeed, in its widest sense he 
is one to-day, a steadfast patron of art, a connoisseur of Catholic taste 
and, fortunately, never limited to considerations of how much should 


be expended whenever faced by the question of buying pictures or giy- |} 


ing prizes. And here it must be recalled that the first Shaw Prize was 


given to encourage figure painting in order to combat the idea then pre- “| 


vailing that landscapes were the American’s only field. 

The ultimate fate of all collections seems finally to bring them — 
under the hammer, and more than twenty years ago it was prophesied 
that ‘‘a collection of such extraordinary merit as Mr. Shaw’s and one 
made under such extraordinary circumstances if disposed of would prove 
more profitable than any collection chosen for ‘safe investment.’ ” 

Unabated enthusiasm and timely encouragement attended every 
acquisition of these American pictures, and, hand in hand with them, 
came generosity and judgment. ak 

LeicgH Hunt. 


1 FIRST SESSION 


THURSDAY EVENING, JANUARY 21, AT 8:15 O’CLOCK 


HGatalogue Numbers, 1 to 104 inclusive 


’ 


_e. BRUCE CRANE, N.A. ee 
ie ye AMERICAN: .1857— Wy ap ey 
| 1-4 SKETCH (EVENTIDE) 


[HE warm tones of the land in the foreground are merged into the 
indistinct shapes of buildings at the left, seen only in rough outline 
against the evening sky filled with yellow and orange lights and cloud 
forms. 


Height, 8 inches; length, 10 inches. 


- Signed at lower right, BRUCE CRANE. 


93%, CHARLES COURTNEY CURRAN, N.A. ae daca onc: 
AMERICAN: 1861-— | 


2—MAKING HAY 


A sunny hayfield, with a woman in sun hat, blue bodice and apron, rak- 
ing the loose grass into heaps. Behind, a copse of green oak trees, an 
expanse of cornland and the June sky. 


Height, 9 inches; length, 12 inches. 


Signed at lower left, CHAS. C. CURRAN, and dated 1887. 


Purchased direct from the artist. 


CARLETON WIGGINS, N.A. 
Ore v 


AMERICAN: I ae 


RETOLS TEEN GRU IAE : | Pit 


SANDY grassland rising at the left to a hummock; in the foreground 
facing half left, the sturdy figure of a black and white bull, the sun light- 
ing the animal’s body from the upper left. 


Height, 9 inches; length, 12 inches. - |i 


Signed at lower left, CARLETON WIGGINS. 


Purchased direct from the artist. eae on -— 7 


a CARLE J. BLENNER Rie 
ese 6.4, Lanitich, 


AMERICAN: 1864— 


4—LUXEMBOURG GARDENS, PARIS 


A BALUSTRADE at the top of a flight of steps crosses the rear of the 
playground, and is in the shade of a mass of green foliage, behind 
which can be glimpsed buildings and the dome of the, Panthéon. 
Around the shady square are seats with nurses and children, in the 
foreground a square pool in which small boys are sailing boats in the 
sunshine. 


Panel: Height, 9% inches; length, 13 inches. 


Signed at lower right, CARLE J. BLENNER, Paris. 


Purchased direct from the artist. 


CARLTON T. CHAPMAN, N.A. 


SS AMERICAN: 1860—1925 Gaote fabuehec 


| 5 MARINE 


_ Tue sea is deep blue and quiet, under an uncertain ruddy sky, with 
) promise of a storm. In the distance, the sails of fishing vessels, in 
_ the left foreground two smacks close together with sails set, riding at 


anchor. 
7 Height, 11 inches; length, 16% inches. 
Signed at lower right, CARLTON T. CHAPMAN, and dated 1887. 


Purchased direct from the artist. 


CHARLES WARREN EATON, N.A. 


AMERICAN: 1857— 


6-—MARINE: THE PORT 


GRAY ocean under a cloudy sky, with fishing vessels and steam tugs 
moving about; behind, the irregular gray line of the buildings and 


factories of a busy town. 
Height, 12 inches; length, 16 inches. 


Signed at lower right, CHAS. WARREN EATON. 


Purchased direct from the artist. 


FRANCISCO LUIS MORA, N.A. 
YEO 


ig AMERICAN: 1874— hry Sebel. : | 


7—THE PRINT COLLECTOR 


Dark studio interior, the carpet strewn with books, dane and al 
brass utensils. Facing the observer are seated three youthful dan- 

dies in eighteenth century costumes, one of whom is critically eee | 
the points of a picture to ) the other two. . in 


Height, 14 inches; width, 10% inches. 


Signed at lower right, F. Luts Mora. 


Purchased direct from the artist. 


Z — * GEORGE ELMER BROWNE, A.N.A. 
—17 
g AMERICAN: 1871— KL heh 


8—THE FOREST WORKERS 


Low grassland with the verge of a wood at the right, where are two 
men; a timber wagon with two horses is halted in the centre of the 
scene. Behind is a blue sky, fantastically banked with a huge white 
pulow of cloud full of sunlight. 

Height, 14 inches; width, 14 inches. 


Signed at lower right, Gro. ELMER BROWNE. 
Exhibited at the Salmagundi Club. 


, GEORGE M. HAUSHALTER 
go 7. AMERICAN: 1862— A FAdbfatrcch 


9—THE BRITTANY BELLE 


Bust portrait in profile to the left against a neutral wall, of a young 


woman with dark hair knotted on the nape of her neck, and wearing a 
dark green robe with a huge white ruffed Medici collar edged with 
lace, forming a fan-like halo about the finely modeled head. 


W ater-color: Height, 20 inches; length, 24 inches. 


Signed at lower left, G. HAUSHALTER, PARIS. 


Purchased direct from, the artist. 


MATHIAS SANDOR Yen. SdewLn 


AMERICAN: 1857—1920 


I0~ 


10—MEXICAN INDIAN SETTLEMENT 


A sanpy plain in summer, with low adobe buildings in the fore- 
ground, before which are an Indian squaw with a baby and a second 
attending to a low hemispherical kiln, in which pots are being baked. 


Water-color: Height, 19 inches; length, 26 inches. 


Signed at lower right, MATHIAS SANDOR. 


Purchased direct from the artist. 


CHARLES MORGAN McILHENNY, A.N.A. 


AMERICAN: 1856—1904 


Ad Mulfectiich 
NOVEMBER | 


A QUIET evening on snow-covered moorlands, gray and white to the 
horizon, where there flames a band of orange. In the foreground, a 
solitary clump of trees, before which is the bearded shepherd with his 
bundle of forage and a scanty flock of sheep feeding from the grass 
heaps in the snow. : 


10 -« 


Ci 


Water-color: Height, 20 inches; length, 30 inches. 


Signed at lower left, C. MorRGAN McILHENNY. 
Bronze Medal, Pan-American Exposition, 1901. 


Purchased direct from the artist. 


io LEONARD OCHTMAN, N.A. 
Bi oe ae _ AMERICAN: 1854— | ; 
| Heo te fpabrcehs 

12—WOOD INTERIOR 


| SLOWLY rising brown earth scattered with traces of green vegetation, 
_ with the slender bare trunks of birches and saplings pointing up. na- 
_ kedly to the sky, the background fringed by the confused gray mass of 

the woodland under the dull clouds. 
_Water-color: Height, 16 inches; length, 22% inches. 


Signed at lower left, LEONARD OCHTMAN. 


Purchased direct from the artist. 


ERNEST LEONARD BLUMENSCHEIN, A.N.A. 


PAD AMERICAN: 1874— AF beech 


13—PREPARING FOR THE HUNT 


THE corners of a country house, seen from the lawn, with a sundial in 
the foreground; at left and right great trees thrust their foliage into 
the scene. On the paths a confused crowd of huntsmen, whippers-in, 


followers in pink, and foxhounds. 


Pastel: Height, 14% inches; length, 22 inches. 


Signed below, with initial B. 


Purchased direct from the artist. 


SO a FRANKLIN DE HAVEN, N.A. 


GEORGE M. HAUSHALTER 


Meo AMERICAN: 1862— 
Yao 413, Avot 


14—FLIGHT OF GULLS 


A FISHING vessel with furled brown sail, anchored on the sluggish 
water; a mass of white gulls is hovering in the water around the stern, 
the more daring perched on the planking of the vessel itself. 


Water-color: Height, 23 inches; width, 16 inches. 
Signed at lower right, HAUSHALTER, and dated 1911. 


Purchased direct from the artist. 


AMERICAN: 1856— Yoo F Molen) 


1s—LANDSCAPE WITH A ROAD 


A SsLow curve in the rough stony dirt road bisecting the scene, flanked 
on either side by scrubby grassland; a sturdy tree leans out from the 
right hand over the bend and partly obscures the clouds lighted by the 
rising sun, which is low down in the eastern sky. 


Height, 12 inches; length, 16 inches. 
Signed at lower left, F. DE HAvEN, and dated 1887. 


Purchased direct from the artist. 


iE GEORGE HERBERT McCORD, AN.A. 


aks bt AMERICAN: 1848—1909 LJ haw fo. 
| 16—LANDSBORO WOODS 


: = THE edge of the forest, with a brilliant turquoise sky seen through 
= Bh heavy foliage and the gnarled trunks of the trees set in the dark 
earth. 


Height, 12 inches; width, 10 inches. 


Be ete lower Ieft, G. H. McCoro. 


CHARLES COURTNEY CURRAN, N.A. 


AMO-7w AMERICAN: I1861— Leo: A fbaskes 


17—RHODODENDRONS 


ON the grass, a bare-footed young woman with long auburn hair and 
bare bosom, loosely draped in blue-gray muslin, is gathering an armiui 


of pink rhododendrons. 
Height, 20 inches; width, 9 inches. 


Signed at lower right, Cuas. C. CURRAN, and dated 1875. 


Purchased direct from the artist. 


AUGUST FRANZEN, N.A. 
3S 4 AMERICAN: 1863— pk oil 


18S—HARVEST TIME 


ARABLE country, with the brown and lemon-yellow fields stretching 
away over a broad landscape with houses on the lower horizon. In the 
foreground, facing each other, a peasant in a peaked cap and holding 
a full apron, and an old woman in red bodice and blue skirt with her 
head tied in a handkerchief, leaning on the handles of a barrow. 


Pastel: Height, 17% inches; width, 16% inches. 


Signed at lower right, FRANZEN. 


LOUIS PAUL DESSAR, 


0 
LG AMERICAN: eas Sud Mihi 


19—LANDSCAPE IN EVENING GLOW 


THE edge of a wood, with a pool at the right reflecting the dying rays 
of the sun. On the near shore the dark figure of the shepherd sur- 
rounded by his flock, the orange-yellow sunlight forcing notes of quiet 
color on their fleeces. | 


Height, 12 inches; length, 16 inches. 


Signed at lower left, DESSAR. 


Purchased direct from the artist. 


EDWARD DUFNER, A.N.A. 


AMERICAN: 1872— 


UM Gubler 


A OO 7 
20 SUMMER MORNING 


_ON the grass of the near shore of a lake, in which swans are swim- 
ming in the sunlight, are three children, two in white, the third standing 
up at the right and in a pink dress. ‘The bright sunshine fills with 
points of light the trees above them, throwing high lights on their 
frocks and golden hair. 


Height, 14 inches; width, 14 inches. 


Signed at lower left, EDWARD DUFNER 


Salmagundi Club, 1923. 


SG CORWIN KNAPP LINSON sie iat P| 
4 Ane ee 3 oh mal 
: AMERICAN: 1864 Arran Muvak 7 
21—WINTER SCENERY a ae 
LookING down from a height, one is granted a broad view over a — | 
river valley, with snow-covered rising ground alternating with the rus- 7 / 
set-red of the tree tops. In the foreground bare saplings, and at the © 
foot of the hill a cottage; the whole in the strong bluish glare of the 7) 
sun. : eke - | 
Height, 12 inches; length, 16 inches. ~| 


Signed at lower right, Corwin K. Linson, and dated illegibly. 


Purchased direct from the artist. 


JOHN WARD DUNSMORE, A.N.A. 
So qT AMERICAN: 1856— 


Tiles tak Yaltay 


22—THE COURT JESTER 


INTERIOR, with a tapestry background. A jester in parti-colored pink 
and green costume is seated on a Savonarola chair, playing with a — 
dog sprawled on a leopard skin which covers the floor. In the left 
foreground a perch with a parrot. 


Height, 16 inches; width, 12 inches. 


Signed at lower right, JoHN Warp Dunsmore, and dated 1914. 


Purchased direct from the artist. 


¢ 


CHARLES WARREN EATON, N.A. 


Mi Urs AMERICAN: 1857— 


23—EVENING LIGHT 


UNEVEN snow-covered ground, with fir trunks at the right and 
fringed behind with a belt of dark green trees patterned against the 
livid yellow of the sunset sky beyond. Over the snow in the fore- 


ground, an unseen moon has already arisen. 
Height, 16 inches; length, 22 inches. 


Signed at lower right, CuAs. WARREN EATON. 


Purchased direct from the artist. 


8 


GEORGE HERBERT McCORD, A.N.A. 


PO a4 AMERICAN: 1848—1909 | $ 
. Vi. Boer ay 7 
24—M ASSACHUSETTS COAST | 

RuGGED sloping granite rocks at the left, on which is booming a heavy 

sea; above, a dull blue sky filled with leaden cumulus clouds, with flying 

* gulls. | 
Height, 12 inches; length, 16 inches. 

Signed at lower left, Geo. H. McCorp. 


Purchased direct from the artist. 


CHARLES SCHREY VOGEL 
/70 - 
AMERICAN: I186I—I912 


4 : 
25 —THE SCOUT VA 7 sae 


A NARROW ridge on a cliff overlooking the great broad plain below at 
the right; mounted on a shaggy brown pony and seen in full profile to 
the right is an Indian, shading his eyes with his hand and looking 
down over the surrounding country. 


Height, 16 inches; width, 12 inches. 


Signed at lower left, CHAS. SCHREYVOGEL, and dated 1904. 


Purchased direct from the artist. 


" 


4 


‘ a F 
am” 


SOS 


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eae cal Eek ehgiaey tire 
bi =i : , 


8 
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| 26—SHEEP 
| A cart road at the end of a French village with rambling farm build- 
| ings on either side and a gray sky overhead. A shepherd in a blue 
‘| smock with a knapsack over his shoulder is leading a small flock of 
| sheep down the road away from the observer. 


F. BRISSOT 


FRENCH: XIX CENTURY send A SY YY < 


Height, 12 inches; length, 18 inches. 


i ‘Signed at lower left, F. Brissor. 


a 


™ 


GEORGE ELMER BROWNE, A.N.A. 


AMERICAN: 1871— 


bo rau, fo 


| 27—MARINE 


b EvenInG, the harbor backed by the low red roofs of houses and a 


solitary windmill. In the left foreground are three fishing vessels, their 


_ large brown sails unfurled, preparing to cast anchor, the sun throwing 


i} 


a weird greenish yellow light on the sky and the water. 
Height, 12 inches; length, 16¥2 inches. 


‘Signed at lower left, GEO. ELMER BROWNE. 


~ Purchased direct from the artist. 


EDWARD HENRY POTTHAST | 


270 - 


AMERICAN: 1857— 


THE wet sand of the seashore, at the water’s edge, with a gentle sea 
breaking in the background. ‘Three small girls, in blouse and skirt, 
their hair tied with brightly colored ribbons, are dancing round in a 
ring, in the sunshine. 


28—“RING AROUND ROSES” 


Panel: Height, 12 inches; length, 16 inches. 


Signed at lower right, E. POTTHAST. 


GEORGE HERBERT McCORD, A.N.A. 


AMERICAN: 1848—1909 Yee £00 Bong 


| 29—NEAR FLAGSTAFF, ARIZONA 


, bs- 


_ Russet and green land with masses of autumn-tinted trees at left and 
right and the figures of woodmen; behind them the great snow-covered 
bulk of a mountain thrusting a wedge into the brilliant blue sky, and 
streaked with a riot of colors in the sunshine. 


Height, 12 inches; length, 16 inches. 


Signed at lower left, G. H. McCorp. 


Purchased direct from the artist. 


AMERICAN: 1857— 


: poe BRUCE CRANE, N.A. th Me 


30—INDIAN SUMMER 


RUSSET-BROWN land, with birches and sycamores glowing with the full- 
ness of their autumn tints. A narrow vista is formed by an arch of 
trees; a little stream winds down across the plain to a prospect of low 
hills and reflects the pale gem-like blue of the sky. 


Height, 13% inches; length, 16 inches. 


Signed at lower right, BRUCE CRANE. 


we 


Pe ens ee ae 


CHARLES SCHREYVOGEL 


AMERICAN: 1861—I912 fr 


31 —DEAD SURE 


280 - 


A busty western plain under a sky of intense blue; a posse of troopers __ 
galloping towards the observer, with two leaders in the foreground ) 
mounted on chestnut horses and firing as they gallop, at unseen Indians 
on the left. ) | | = 


Height, 20 inches; width, 16 inches. q 


Signed at lower right, CHARLES SCHREYVOGEL, and dated 1902. 


Purchased direct from the artist. 


pP-iS (27-65 wu Rip 


AUGUSTE SCHENCK 


| - | GERMAN: eee wf di 


34 2—SHEEP IN SNOWSTORM 


lea. PLOUGHED field in winter, with a gale blowing freezing gusts of 3 d 
| ee horizontally across the huddled flock of sheep coming up toward’ 
ee ‘the observer, with the shepherd and his dog in the rear. A wooden 

| ence runs diagonally away from the left foreground, eestor its 
“inrégulae stakes up towards the:leaden sky. 


ie or | Height, 12 inches; Tes 16 inches. 


- ’ 
i ’ £ 
sd - —" 


Signed at lower right, SCHENCK. 


ie 
co 


IRVING RAMSEY WILES, N.A. 
150 - AMERICAN: 1861— heachth Ualleoe, 


33—REVERIE 


CorNER of a studio, decorated in the Japanese manner. On a sofa 1s 
seated before a yellow hanging, a young woman clad in black with a 
crimson scarf and leaning thoughtfully on a ’cello. 


Height, 20 inches; width, 11 inches. 


Signed at lower left, IRvinG R. WiEs, and dated 1886. 
Signed on back of canvas, 1. R. Wixes, and dated 1886. 


| Purchased direct from the artist. 


FRANCISCO LUIS: MORAY Nex 


Loe AMERICAN: 1874— ; : 
Aunelew Mlle 
34--ON THE FARM 


THE corner of a wooden barn at the bottom of a field, the 
sky line just visible at the top of the picture. In the foreground, a 
group of swine, and two laborers in farm clothes struggling respectively 
with the neck and hind leg of an obdurate pig. 


Water-color: Height, 17 inches; length, 23 inches. 


Signed at lower right, F. Luis Mora. 


BPoOUls PAUL. DESSAR, N.A. 


7O - AMERICAN: 1867— B.A Leewthal 


35 —SHEEPFOLD 


RED-ROOFED farm buildings set picturesquely against a pale blue sky, 
and sheltered by trees. Out of the fold a woman in blue is driving 
forward toward the observer a flock of sheep, the morning sun throw- 
ing warm light onto their fleeces. : 


Height, 12 inches; length, 16 inches. 


Signed at lower right, DESSAR. 


CARLETON WIGGINS, N.A. 


soa 5: AMERICAN: 1848— Lf 4 y 


36—A SHEPHERD AND HIS FLOCK 


SD aE nae a ene Ss spans - 
— sn ar aera ; - 


—————E 


—— 
ae A ORS 


A BLACK sky piled with cumulus clouds looks down on a Brown plain @ 
with scattered tree copses, and in the foreground a small flock of sheep, — 
the shepherd and his black dog. Patches of light are formed by the — 
illumination of the backs of the sheep and the line of the distant plain. — 


a a aa 


PTET EEE 
FO ANE bd dl Ti, — det Cla 


Height, 18 inches; with, 14 inches. a 


ee ened 
SERS mae 
ete Ee, TA ‘ 


Signed at lower left, CARLETON WIGGINS. 


Spare ete 


Purchased direct from the -artist. 


= Sgt ae ee = 


HUGH BOLTON .JONES, N.A. 


AMERICAN: 1848— pep boog 


THE sky is streaked with clouds and lighted with orange, ahd glows 
sharply behind the snow-covered ruins of farm buildings and through 
the brown feathery masses of bare trees in the foreground on the snow- 
covered plain. A curving road bisects the scene, crossing a water 


splash; up towards the observer comes the black shape of a sleigh drawn 
by a horse. 


Jb 


37—WINTER 


7 Height, 12% inches; length, 18 inches. 


Signed at lower right, H. BoLToN Jones. 


FREDERICK JUDD WAUGH, N.A. 


200 - AMERICAN: 1861— lroagl Fallere 


38—CORNISH COAST 


A RUGGED grass-covered cliff slopes down at the right and ends at the 
sea’s edge in towering granite rocks. A greenish-blue sea is breaking in 
towards the right foreground with a bush of white foam, in the clear 
light of early morning. 


Height, 14 inches; width, 14 inches. 


Signed at lower right, F. J. WAUGH. 
Signed on back of canvas, F. J. WAUGH, and dated 1909. 


— 


PAUL CORNOYER, Agnes 


© - ; SLhries™ 
7 AMERICAN: 1864—1923 laagh I . 


39—WINTER SCENE: 59TH STREET,’ NEW YORI GC 1) 


THE snow-covered street looking east, with pedestrians, a cart and 
shovellers attacking the snow heap in the foreground. Background of 
buildings seen grayishly under a light yellow sky with a pale winter 
sun. 

Height, 12 inches; length, 16 inches. 


Signed at lower left, PAUL CORNOYER. 


a LOUIS KRONBERG 
| by BO AMERICAN: 1872— 


| 40—BALLET GIRL IN BLUE 
| - BErore a luminous curtained background, the erect figure of a ballet 
Ee opaee “A brown hair and blue ecumne, age a green fan in her 


Height, 20 inches; ae 15 inches. 


| = Signed at lower ht, L. KRonpere. 


| Purchased direct from the artist. 


~~. 


BRUCE CRANE, N.A. 


GO ‘é : AMERICAN: 1857— Mille ae 


41I—LANDSCAPE WITH STREAM 


A NARROW river fringed with reeds curves away in the right fore- 
‘ground; beside it a winding sandy foot-path runs off from the left of 
the canvas among the green meadowland. Behind, a curtain of trees, oe ee 
Bar dy veiling the rising ground. 


Height, 11% inches; length, 1514 inches. 


Signed below, BRUCE CRANE. 


Purchased direct from the artist. 


THEODORE ROBINSON 
7b - AMERICAN: 1852—1896 


42—GIVERNY : 


LooKkING down from a grassy hillside over the trees of the foreground, 
the village is seen as a patchwork of gaily-colored roofs, on which the 
sun glints cheerfully, with the square tower of the church rising above 


them at the right. Beyond, the ground rises steadily again, and is 
mantled in green woodland. 


Height, 18 inches; length, 22 inches. 


Signed at lower right, TH. ROBINSON, and dated 1889. 


Louisiana Purchase Exposition, St. Louis, 1904. 


4 


“wh sa Avey 
i 


a 


THEODORE ROBINSON 


AMERICAN: 1852—1896 My. 7 Mfeaticch 


43—NORMANDY MOTHER 


THE corner of a field, with a background of emerald foliage. On an 
upturned box a fair-haired peasant woman, with striped bodice and 
blue apron, is fondling on her knees an infant in white. 


Height, 22 inches; width, 18 inches. 


Signed at lower left, THEO. ROBINSON. 


BRUCE CRANE, N.A. 
SF0- | 


AMERICAN: 18 SS 
$7 Uderk, Mgenk : 
44—SAND DUNES | 


THE edge of the sea, with hummocks of silver sand intermingled with 
straggling green vegetation, the rhythm of the shore line accentuated 
by a small breakwater of rocks, stretching out into the intense blue of 
the ocean. Above, is a summer sky dotted with small white cirrus 
clouds. 

Height, 22 inches; length, 31 inches. 


Signed at lower left, BRUCE CRAN 


. 


Purchased direct from the artist. 


LEONARD OCHTMAN, N.A. 


4 AMERICAN: 1854— fo ip ( 


~ 45—LANDSCAPE IN WINTER 


_ OPEN snow-covered ground dipping sharply in the foreground to the 
_ bank of a frozen river, fringed on either side by red brick cottages 
_ with snow-covered roofs and rising abruptly to hills on the farther side 
crested with woodland. A bright sun casts bluish shadows before the 
little houses at the left and from the five sentinel birches next them. 


Height, 18 inches; length, 24 inches. 


_ Signed at lower left, LEONARD OCHTMAN, and dated 1896. 
Louisiana Purchase Exposition, St. Louis, 1904. 


Purchased direct from the artist. 


~ ‘JULES SCALBERT 
WIG 6h - Frencu: XIX Century 


‘tM ie 


THE gray waves of the seaside with a rope strate out to. a: auido 
mast, with three bathers on the far end of it. In the foreground, ag 
young girl in an old-fashioned green bathing suit clinging to the rope 

and presenting her back to the white swell of an incoming wave. ¥ : 


288 


46—FA CE val L’ENNEMI 


Panel: Hetghi,- 22° tenes width, 18 inches. 


Signed at lower left, J. SCALBERT. a : : ee a 


WILLIAM MERRITT CHASE, N.A. 
AMERICAN: 1849—I1916 Multa bok Lat 


47—SELF PORTRAIT 


Cee 


AGAINST a dark background the head and shoulders portrait, facing 
the observer, of the artist in a brown smock, the distinguished oval 
face with black hair and beard and deep-set, thoughtful eyes. 


Height, 19 inches; width, 16 inches. | 


Signed at lower right, CHASE. 


Purchased direct from the artist. 


mere io PAUL DESSAR,’ N.A. 


Loo - AMERICAN: '1867— Vii A Geecoth al 


48—RETURN TO THE SHEEPFOLD 


EVENTIDE, the sheep driven by their monkish shepherd inside a great 
low barn in the right foreground, with white walls and a huge expanse 
of roof softened by the trees behind it. Over the whole scene is a fan- 


tastic greenish light. i 
Height, 18 inches; length, 24 inches. i 


Signed at lower left, DESSAR. 


Purchased direct from the artist. 


| E. M. BICKNELL i 
Boe im AMERICAN: CONTEMPORARY Ps yy. a 
49—SEASHORE | | 7 Sia 


SEA breaking gently into the right foreground across an expanse of — 
wet sand; against the horizon, under a sky with white clouds, are sailing — 
ships and passing steamers. . 3 } a 
Height, 1§ inches; length, 30 inches. — 
Signed at lower left, E. M. BICKNELL. 


Purchased direct from the artist. 


, FRANKLIN DE HAVEN, N.A. 
BESO + AMERICAN: 1856— Yl Ve LS, 


50——LAN DSCAPE 


UNEVEN grassy foreground, with boulders at the right, and a screen of 
trees in full leafage; in the gap at the left is a single oak with its rugged 
foliage contrasted before the clouded blue sky behind. 


Height, 14 inches; length, 20 inches. 


Signed at lower right, F. DE Haven, and dated 1889. 


Purchased direct from the artist. 


BRUCE CRANE, N.A. 


Joo~ AMERICAN: 1857— Ao. e.Obk 


s1—d4UTUMN LANDSCAPE 


) A WIND-BROKEN landscape, with the swampy brown land of the fore- 
ba —2 ground giving place behind to a mantle of black earth on the horizon. 

eerkt: the left, a solid russet_mass of woodland and a solitary quivering 
i= “tree set against ae uncertain sky with its banks of rain-clouds. 


(sgpe = =e Height, 15 inches; length, 19 inches. 


ot ee. 
a 


. + “Signed at lower ie Bruce CRANE. 


i@ Purchased direct Bonk the artist. 


GEORGE HERBERT McCORD, A.N.A. 


} q Yeo ae : AMERICAN: 1848—1909 Caveat Vin 


52—4 WINDMILL, HOLLAND 


Tue bend of a canal fringed with rushes, with a group of red-roofed 
houses on either bank; at the left a windmill soaring into the sky, which 

is partly overcast with white cumulus clouds re-echoed upon the sur- 
face of the water with the ominous stillness of a coming storm. 


Height, 18 inches; length, 22 inches. 


Signed at lower right, G. H. McCorp. 


CHARLES SS TANT ys REINHART 
XO fy AMERICAN: 1844—I 897 thuly Luk) 


-53—4N IMPORTANT LETTER ’ 
Tue corner of a restaurant, marked by a red screen and a table spread : 
with a white cloth and a bottle of wine. A waiter with a white apron — 
is standing attentively by, while a young woman with a feathered hat 
and a long fur-trimmed black cloak is seated, hastily penning a letter. 


Height, 22 inches; width, 16 inches. 


Signed at lower right. C. S. REINHART. 


JAMES McDOUGAL HART, N.A. 


ZiO-47 
AMERICAN: 1828—1901 ys Mead, 


§4—TREE IN THE MEADOVS 


A PEACEFUL green pasture with a pool in the right foreground, domi- 
nated by the towering branches of an oak tree. On the sunlit grass 
of the near meadows and the middle distance brown and white cattle 
are grazing, the low masses of distant hills lying darkly naked under a 
cloudy sky. 3 

, Height, 15% inches; length, 23 inches. 


Signed at lower left, JAMES M. Harr. 


American Art Association sale, March, 1914. , 2. 
Ditw Yturhe Vantew bale 18 0- NMio- & 


Bk Che CRANE, NjA. 


Ser ican I AV eae Junk fo, Sheu 


—GOLDEN MEADOWS 


a top of a hill covered with a blaze of yellow bracken, golden-rod 
anc wild flowers, with scattered stones, and crowded by woodland, with 
‘ Bet of three trees with their variegated autumn tints dominating 
he left fae ound. 


Smadiahiaieemeimemms amemeant 


“ee 
* a 


- | | i o Millboard: eae ay inches; length, 18 inches. 


“Signed a Blower right, Bruce CRANE. 


3 Purchased cet from the artist. 


Justin stata itn ie Sheed ay re ye pres vs 
S A ee) re 


M iE 


ie 


ROBERT DAVID GAULEY, A.N.A. vb | 


AMERICAN: 1875— 


" s6—DUTCH INTERIOR 


| ‘3 ‘CorraGE interior with white stone walls and a fire at the right, next 
__ which is seated the man smoking a pipe; the woman at the kitchen table 
Pr peeling potatoes. Interestingly lighted through a window at the far 
end of an inner room seen through the central doorway. 


Height, 20 inches; length, 24 inches. 


Signed at lower left, RopERT Davin GAULEY, and dated 1902. 


_ Purchased direct from the artist. 


ISO 7 ALBERT LOREY GROLL, N.A. 


AMERICAN: 1866— bah Jabushew 


57 AUTUMN 


WHITE sky and snow-covered ground run together at the left, sepa- 
rated by a fringe of brownish, half denuded trees. In the foreground 
the expanse of snow is bounded by two slender trees at the left, and 
the bare, stalwart trunk of an elm thrust into the sky at the right, in a 
monotone of brown-black. 

Height, 25 inches; length, 35 inches. 


Signed at lower right, A. L. GROLL. 


Purchased direct from the artist. 


fe NRY GOLDEN DEARTH, N.A 


FO a AMERICAN: 1864—1918 - Mead 


58—LANDSCAPE 


BROAD meadows with scattered trees in a late afternoon of summer; in 
the distance, the white and red walls of a village, and woodland on the 
horizon. The pale green and violet tones of the clear sky thrust bril- 
liant notes of color on to the trees and grass. 


Height, 24% inches; length, 29 inches. 


Signed at lower right, H. DEARTH. 


FREDERIC STUART CHURCH, N.A, 


AMERICAN: 1842—1924 “/ ray, 


s9—A DOLL MATINEE 


FO Ok: 


BEFORE a huge curtain of holly, a smiling, auburn-haired child in a white 
dress 1s seated holding a doll and flanked on either side by a row of 
hares, owls and teddy bears, each with a small doll in its arms, with 
her pet pug dog on a lower branch, similarly occupied. 


Height, 18 inches; length, 36 inches. 


Signed at lower left, F. S. CHURCH, and dated 1891. 


Purchased direct from the artist. 


| % Yo : FRANK RUSSELL GREEN, A.N.A. 

B29" 2 i a 

— | AMERICAN: 1856— Ve Mead 
| 60—THE GARDENER’S DAUGHTER 


| 4 _CoTraceEs at rear enclosing an English garden, with a narrow path 
coming towards the observer, between beds of marigold, pansies and 
BS hollyhocks. In the foreground stands a young woman in gray bodice, 


3 white apron and cap, with a black cloak thrown over her shoulders. 


-— 2 ee Height, 30 inches; width, 20 inches. 


EE ESijned at lower left, PRANK RussELL GREEN, and dated ENGLAND, 
1891. | 

1a 

e Pir chased direct Py the artist. 


|: — 


feicho SCALBERT 


: KO FRENCH: XIX CENTURY et ae 


61—UN MOMENT DE REPIT 


Tue corner of a stage overlooking a broad river with sailing vessels 
and a wooded bank at the right, and a glimpse of a stone bridge. At 
the table is seated a young woman in a blue blouse, white skirt and 
military cap, and facing her, stirring a glass of wine, is a man in a gray 
and yellow striped rowing vest and cap and green knee- breeches, his 
chair tilted lazily backward. 


Panel: Height, 21 inches; length, 25% inches. 


Signed at lower left, J. SCALBERT. 


Purchased direct from the artist. 


WILLIAM GILBERT GAUL 


AMERICAN: 1855—I1919 y, Lb , 


62—TENNESSEE HUNTERS 


O7 


THE heart of a woodland in winter, with snow on the ground pierced 
here and there by grasses. In the foreground, two hunters, facing the 
right, in jerkins and leggings; one dragging forward a slain deer by the ~ 
muzzle, the other erect and about to fire. 


Height, 20 inches; length, 30 inches. 


Signed at lower left, GILBERT GAUL. : 


Purchased direct from the artist. 


BRUCE CRANE, N.A. 


AMERICAN: 1857— 252 


ee Pah 31 inches; width, 26 inches. 


WILLIAM JOHN WHITTEMORE, A.N.A. 


AMERICAN: 1860— pf t kin 


| ae My LITTLE LADY 


I 

| 

_ THREE-QUARTER length portrait of a girl of twelve in a long old-fash- 
ioned olive-green dress, seated in a “Dutch” rush-seat chair facing the 
observer and with clasped hands. Deep blue-indigo background. 


Signed at lower right, WM. J. WuitTTemore, and dated New York, 


7 | Height, 28 inches; width, 20 inches. 
1892. 
| 


Purchased direct from the artist. 


S. M. LAURENCE 


nd O-a Be AMERICAN: CONTEMPORARY "ah. ee fal 


65—ENGLISH COAST 


A HAZE envelops the jagged pointed rocks of the background, which | 
merge into the orange and blue of the heavens; in the foreground, an 
jade-green sea touched with the scattered light of the sun, is breaking 
into the wet sand. 


FT eight, 20 ‘nee Rane 30 inches, 
Signed at lower right, S. M. LAURENCE. Be | r 


Purchased direct from the artist. 


ROY BROWN 


180 su AMERICAN: 1879— Cul Ln) 


66—EARLY WINTER 


A BEND in the road with a group of houses and two willows clustered 
under the lee of a church with a white campanile; snow has fallen, soft- . 
ening the outlines of the buildings and the woods behind and streaking 
the whole with patches of reflected color. 


Height, 21 inches; length, 25 inches. 


Signed at lower right, Roy BROWN. 


Purchased direct from the artist. 


a 


ERNEST LAWSON, N.A. 


= 410 ~ AMERICAN: 1873— D aims 


- 67—LANDSCAPE WITH BROOK 


A SHALLOW stream, flowing away from the left foreground, is hemmed 

in between sentinel poles of birches and willows, with their scanty 
brown leaves, the whole shivering in the chalky light of morning. On 
the farther bank, a meadow backed by masses of houses, and above 
their roof-tops the white line of dawn in the leaden sky. 


Height, 24% inches; width, 23% inches. 


Signed at lower left, E. LAWSON. 


Purchased direct from the artist. 


PAUL CORNOYER, A.N.A. — , ee 

JOO 7 AMERICAN: 1864—1923 es Pi j 
So th faheshan q 

68—d4 FARM ; Sere w 5: a 

A srony brook flows into the foreground in the shade between two 4 
dark masses of trees; beyond the fence of the farther bank is a cluster _ 

of white farm buildings in the sunshine, with a background of hills 


topped by the roofs of cottages and thrust into the brilliant pagans 
sky. 


a Se ee ee ee ae = 


Height, 18% ince length, 24 nae. 


Signed at lower left, PAUL CORNOYER. 


HARRY FRANKLIN WALTMAN, A.N.A. 


/HO- AMERICAN: a 


69—LANDSCAPE AND SNOW 


WINTER landscape, a river dominating the centre of the foreground — 
between banks piled high with snow, from which project the thin, half- 
bare tree trunks. Background of forest and pale yellow sky dully 
reflected in the half frozen stream. : 


Height, 23 inches; length, 27 inches. 


Signed at lower right, WALTMAN. 


Purchased direct from the artist. 


——,* 


Le ae 


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ef jehs 


ne 
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: 


Ss - BRUCE CRANE, N.A. ee 
HIS" C Aho 


AMERICAN: 1857— 


_ 70—APPLE ORCHARD 


AN orchard with long rush grass and wooden fence running across the 
rear to a hut, the foreground broken by a tiny runnel of water. Three 


trasted sharply with the sombre foliage of a tall elm in the background. 


meetanse 2 Seinches wiength, 3 Ssinches: 
Signed at lower left, BRUCE CRANE, A.N.A. 


Purchased direct from the artist. 


apple-trees are bowed down under the weight of a gay mass of pinkish- 
white blossoms giving back the light to a blue summer sky and con- 


/Moo + JOHN FRANCIS MURPHY, N.A. 


AMERICAN: 1853—1921 


71—AUTUMN 


Fiat brown country stretching away as far as the; eye can ate be- 
neath a sky filled with the orange and yellow echo of the sunset. In 
the foreground at the right, a feathery mass of ruddy-brown dipped 
trees, two of which thrust slender poles into the clouds. 


Height, 1014 inches, length, 15 inches. — 


Signed at lower left, J. Francis Murpuy, and dee 1920. 


Purchased direct from the artist. 


(Illustrated ) 


CRN ‘kydinpy siouvsyg uyor 6g) 
NAOLOAY—IL ‘oN 


Joe “Re Gey eee AMBRUGA NG ise 


_72—MARINE : 
A CALM sea with a half dozen fishing eek wit 

rigged sails in the harbor, the vague mass of ‘i 
into distinctness in the red-roofed houses at th 


cone is filled with a delicate misty sun hae 


Height, 25 i 


Signed at lower left, EmIL Cire 
Purchased direct atte the artist. 


Cr Huet gree 


CY N ‘Uaspin) pimg 7) 
ANIAVIA[—zL ‘oN 


, CHARLES COURTNEY CURRAN, N.A. 
625% | AMERICAN: a Z hoc 


73 EL Gehl PEs ; 


A winpy hilltop with long grass, stones and bracken and a cloudy blue 
sky overhead. Four children—two bora and two girls—simply clad, 


are flying kites in the wind. 1 
Length, 30 hem width, 30 inches. — 


Signed at lower left, Cuas. C. CuRRAN, and dated 1905. 
Society of American Artists, 1906, Shaw Fund picture. 


(Illustrated) 


No. 73—FLyING KITES 
(By Charles Courtney Curran, N.A. 


JOHN FRANCIS MURPHY, N-A. 


AMERICAN: 1853—I921 . 


43800 + , 


AGRO! UP OF SYCAMORES 


AUTUMN on a desert plain, the central foreground occupied a copse 
of towering sycamores with stripped trunks and delicate russet feathery 


foliage merging imperceptibly into the yellowish-gray tones of age sky 
behind: 


H eight, 16 inches; length, 22 Seine 


Signed at lower left, J. FRANcIs Murpuy, and dated 1909. 


Purchased direct from the artist. 


(Illustrated ) 


CRN ‘kydunpy sioupsg uyor &g 
SUMONVOAS AO dNOYH—+rL ‘ON 


: "HENRY OLIVER 2 WALK ;, 
650 ate < AMERICAN: 1843— 


75—THE SINGERS 


AN ideal group, in the pre-Raphaelite manner, of. 
gown and a beautiful fair-haired boy in a flimsy | 
about her neck, singing from a sheet of music in 
garden, and looking with pious earnestness up 


a NN 


No. 75—THE SINGERS 
(By Henry Oliver Walker, N.A.) 


THEODORE ROBINSON 
SELOC 7 


AMERICAN: 1852—1896 | 


76—IN THE SUN 


GREEN grass Slowing in the sunlight, and the prone figure of a young 
girl in white bodice and crimson skirt, stretched luxuriously on the 
meadow, shading her eyes with a sunbonnet from the glare. 


7 a 


Height, 18 inches; length, 37 vita 


Signed at upper right, pe ROBINSON, and dated 1891. 
Society of American Artists, 1892, Shaw Fund pietire 
Louisiana Purchase Exposition, St. Louis, 1904. 

Panama Pacific Titerncvone Exposition, San Francisco, 1915. 


(Illustrated ) 


UOSUIGO S$ ALOPOAY | gq 
NOS dHL N[—94 ‘ON 


«) pa 
Se 


WILLARD LEROY METCALF _ — 
AMERICAN: 1858—1925 ‘ 24 
lltuce 


77—GLOUCESTER HARBOR 


LookInG down from a height is seen the irregular hump of the inner ~ 

shore, with intermingled trees and roofs and a spindle-legged landing 
stage jutting out into the blue water; schooners, and at the left a wharf — 
with a tall red chimney. On the low further shore, a line of houses 4 
with the sun playing gaily on the roofs loses itself’ in a green igeg a 
behind. a 


J 3004 


Height, 26% inches; hath 29 inches. a 


Signed at lower left, W. L. MeTcaALr, and dated 1895. 
Society of American Artists, 1896, Webb Prize. 
Pan-American Exposition, 1901, Silver Medal. 


Louisiana Purchase Exposition, St. Louis, 1904, Silver Medal. 


(Illustrated ) 


(five SosaT parity &¢) 
YOMAVET WALSAONOIH—LL ‘on 


aa a a ee ee 


IRVING RAMSEY WILES, NA. 


/050 a AMERICAN: T861-—— 


ashi ellen 


78—A LONG ISLAND ROAD 


Tue broad band of yellow road runs away from the a8 rca 
tapering to a narrow ribbon and disappearing amid the woods in the 
distance to curve off past the houses of a village away at the left. Os 
either side is scrubby grassland; but, starting nowhere, a sentinel line 
of slender trees marches at the right hand side of the*'road, the perl 
spective of their dwindling mass producing a surpassing effect of endless 
distance. The brilliant blue sky is filled with great white bundles. of 
cumulus clouds. 


Ee =f a es 


. dleight, 31 inches; Vaharhe 3H inches. 


Signed at lower ee IrvING R. Wines. 


Purchased direct from the artist. 


(Illustrated) 


CRN ‘sappy Sasmvy buiasy sg 
avOwWy ANVIS] SNOT YW—ss ‘ON 


WILLIAM MERRITT CHASE, N.A. 


AMERICAN: 1849—1916 


00-7 


79—IDLE HOURS, SHINNECOCK 


THE low sandy brush of the shore sweeps round to the right, forming — 
an arm of the sea. In the foreground, undaunted by gathering white — 
clouds, is a group of two ladies in white with parasols and two young a 
girls, sprawled lazily on cushions in the grass and sustaining bright spots 
of color. | 3 4 


a a er ea a a PROM SIS 


Height, 26 inches; length, 36 inches. : 7 


Signed at lower left, Wo. M. Cuase. 


Purchased direct from the artist. 


(Illustrated) 


CRN ‘aspyy misayy mou &F) 
MOOOUNNIHG ‘sunopT atay—6Z ‘on 


FREDERICK BALLARD WILLIAMS, NA. 
Tea | AMERICAN: 1872— htaebl, Gelb, a 
80_IN THE VALLEY OF THE PASS4IC. 


UNEVEN thickly wooded country in summer, with a humped mass of 
trees at the left and a valley prospect at the right filled with foliage 
almost as far as the eye can see; in the distance, a town with a back- 
ground of undulating hills. 7 ie 


fleight, 30 inches; length, 45 inches. 4 
Signed at lower right, FREDK. BALLARD WILLIAMS. 
Purchased direct from the artist. 


(Illustrated ) 


KON ‘Suvi Peleg yep sg 
OIVSSVg AHL JO AATIVA AHL NI——O8 ‘ON 


W. GRANVILLE SMITH, N.A. 


AMERICAN: 1870— 4 LA J q | 
81—INDIAN SUMMER | 


A GREEN meadow with straying geese, crossed by a line of tall elms, | 
some with bare branches, others with a glory of russet-yellow foliage; — 
behind them, cottages and farm buildings with a background of woods. | 
The scene is lighted from the upper left by a sun invisible in the warm 
afternoon haze. Fy 


Mio 


Height, 36 inches; nih 48 inches. | 


Signed at lower right, W. GRANVILLE SMITH, and dated 1908. 
Awarded the Inness Gold Medal, National Academy, 1908. = 
International Exhibition of Art and History, at Rome, 1911. 


Purchased direct from the artist. 


(Illustrated ) 


( 


. 6 
VN 
UaWWAS NVIAGN 


yIUg 2]]10Uv.LL) 


i ret: 


M 9) 
ON 


WILLIAM ANDERSON COFFIN, N.A. . 


GO AMERICAN: 1855—1925 
: 4. Se Mal : 
82—MARINE: EARLY EVENING 


A CALM ultramarine ocean with rounded brown rocks in the foreground, 
and in the left distance the line of the coast; low down in the clear sky, 
where the clouds begin, a full pale sun throws a pinkish light on to the — 
water. 


Height, 20 inches; length, 30 inches. — 
Signed at lower right, WM. A. COFFIN. 


Purchased direct from the artist. 


ERNEST ALBERT 


Ae AMERICAN: 1857— Nw f Mawler) 


83--EARLY SPRING 


PALE grassland rising to a low hummock at the right, with a beautiful 
foreground of slender birch saplings and pink and white blossoms quiv- 
ering in the morning light. A winding path carries the eye away to a 


hazy background of blue hills. : 
Height, 24 inches; width, 24 inches. 


Signed at lower right, ERNEST ALBERT. 


BROGEoCRANE, NA’ 


AMERICAN: 1857— eee 


sind five cee water the expanse of yellow corn land and meadow 
ersected by masses of trees and rising to the vague line of a hill on 
- horizon. ‘The heavens are gray and cloudy. 


Height, 20 inches; width, 1§ inches. 


igned at lower left, BRUCE CRANE. 


urchased direct from the artist. 


| oe - 


ips ‘ wet 7 ore 
‘ide bays he aaaganaiaiii 
a ‘ + ss we x a oe = Ce ay 
i oe Te me te Ae Lat 
. At A a7) T: 
‘ wP i 


Pe 2 
“ 


EDWARD HENRY POTTHAST eae 


AMERICAN: 1857— 


Oe ae 
NY . 

SN 

ih 

i 


-85—IN CLOUD REGIONS 


_ Mounrarnous country at high ecides, covered in snow and sloping 
up to steep brown rocks at the left. The sky is of the clearest tur- 
_ quoise and piled high with white cumulus clouds, which seem to hang 
_ closely over the surface of the ground. 


os) 


Height, 24 inches; length, 30 inches. 


Signed at lower left, E. POTTHAST. 


Society of American Artists, 1906, Shaw Fund picture. 


HARRY MILLS WALCOTT 


J1O +4 AMERICAN: 1870— fo Ms 


86—GOSSIP 


THE ramp of the sidewalk of a Dutch village, only the ground line of ‘ 
the houses being visible. Perched along it in a cheerful chattering row, 
interrupted by steps at the right, are ten young peasant women in white 
bodice and cap, stomacher and apron, gossiping before an audience of @ 
white geese. 


Height, 20 inches; learn 39% inch oe 


Signed at lower left, H. M. Waxcott, and dated 1902. 


Society of American Artists, 1902, Shaw Fund picture. 


_ aaa NY A we Se 
SS As ee! Sarre oe Aaa eas 


eats cig 
: \ 


FRANKLIN DE HAVEN, N.A. 


[30+ | AMERICAN: 1856— Bt er I 


87—HARVEST MOON 


Two immense masses of red-brown foliage frame partially the vista of © 
blue lake with reflections of the full moon. In the foreground the — 
corner of a green meadow is seen and a hummock at the right sloping © 
down to the lines of the cart track, winding away into the middle dis- 
tance. A lurid yellow sky makes an effective background for ans areas 
of broad color. | 


Height, 28 inches; length, 36 inches. | 


Signed at lower left, F. DE Haven, and dated 1901. 


Purchased direct from the artist. 


AMERICAN: 1864— 


« 


CARLE J. BLENNER KA 4u boll 


88—-THE OPEN FIRE 


THREE-QUARTER length figure, facing the observer, of a young woman 


in a filmy orchid dress, with a white muslin shawl, seated before a fire, 
the warm glow of which falls from the left on skirt and bosom. Her 
right hand is held out to the blaze; at her left side is a table with 


tea-cups. 
Height, 40 inches; width, 30 inches. 


Signed at upper right, CARLE J. BLENNER. 
Boston Art Club Exhibition. 
Pennsylvania Academy of the Fine Arts, 1911. 


Purchased direct from the artist. 


GEORGE R. BARSE, Jr., N.A. 


AMERICAN: 1861— bbb 4 
89—A4 TRIBUTE TO THE SATYR 


BEFORE a wall of greenery is a classic poner: bench and a tall pedestal 
surmounted by the bust of a satyr; against which is fondly leaning a 
nude girl loosely draped in a lilac chiton and holding up in her arms a = 
cupid, who is depositing a laurel wreath on the marble head. .. 


Height, 38% inches; width, 1634 inches. { 


SA54 


Signed at lower left, BARSE, JR., and dated 1895. 
National Academy, First Hallgarten Prize, 1895. 


Purchased direct from the artist. 


/504 ALBERT L. GROLL, N.A. 


AMERICAN: 1866— Leo Wy huts q 


90—GERMAN VILLAGE 


THE single arch of an old bridge crosses in the centre the river which 
washes the foreground, and is flanked by groups of farm buildings and 
the straight trunks of birches and poplars pointing up into the quiet 
sky from which the light is departing, so that the grass of the fore- 
ground is already almost black. ; 


Height, 25 inches; length, 35 inches. 


Signed at lower right, A. L. GRott. 


Purchased direct from the artist. 


CAE LUIS FALERO SI. Y, “pe 


SPANISH: 1851I—I901 


91—NIGHT 


Tue black firmament studded with stars with a huge circular crescent 
moon; into which, her black veil dropped, is floating the nude dark 
haired Night with arms upraised and right knee bent in embrace. 


Height, 40 inches; width, 21 wnches. 


Signed at lower right, FALERO. 


From the Collection of CATHERINE WOLF. 


HERBERT DENMAN 


bo a a AMERICAN: 1903— 7 fhe lin 


92—COQUETTERIE 


A DRESSING table with a gilded oval mirror, before a neutral wall with 
a gas light; in a gilded chair, at the right, is seated in profile with her 
fare turned down toward the observer, a young woman in a white — ay 
negligée, arranging her hair in a hand-glass. 2 on? 


Height, 36 inches ; width, 27 inches. 


Signed at lower left, HERBERT DENMAN, and dated 18gI. 


Purchased direct from the artist. 


ar FRANKLIN DE HAVEN, N.A. 
SSO 7 AMERICAN: 1856— Ad Ailfeteck 


93—SHEEP IN STORM — 


THE brown fields are divided in the foreground by intersecting cart 
tracks, up one of which the shepherd is driving a small flock of sheep. 
Behind, the trees are lashed by the wind, and from a sombre cloud 
above a deluge of rain pours down on the hazy scene. 


Monotone: Height, 24 inches; length, 30 inches. 


Signed at lower right, F. De Haven, and dated 190s. 


Purchased direct from the artist. 


— RAIMUNDO MADRAZO 
meaee>  ©€©~—SsiT rata: 1841—1920 /b.. Juctlertehe 
 94—Ld COQUETTE 


__ Berore a dark background, the half length figure, facing the observer, 
_ of a young girl with golden robe and white sleeves, her fair hair 
dressed with a pink ribbon and her left hand pressed to a corsage of 
-_ peonies, looking into a hand mirror. 


| | = Height, 32 inches; width, 26 inches. 


4 Signed at lower right, R. MapRAzOo. 


= 


ear 


Perks WARREN EATON, N.A. 


| f45 AMERICAN: 1857— Be Linley 


i? 
a 
> 


4 
| ae 


1 wae as bear 


pose AFTER THE STORM 
} eA GREEN field with humped grass stacks, in deep shadow, lighted orange 
in the middle distance by the sun, which has reappeared through a rift 


in the ink-black storm clouds stretched across the horizon. 


Height, 24 inches; length, 36 inches. 


BE Signed, CHAS. WARREN EATON, and dated 1897. 


Purchased direct from the artist. 


G. CALVES 
So 7 FRENCH: XIX oa Klin 


96—HAULING WOOD 


a 
a 
A busty road bends sharply into the right coxapeoumele in the afternoon 
glare, around a grass-topped bank; down the road is going a cart laden | 
with logs and drawn by a brown horse, with two brake horses in the 


rear and the driver in black hat and blue smock marching beside it on 
the farther side. =% 


Height, 32 inches; width, 26 ae 


Signed at lower left, G. CALVES. 


Purchased direct from the artist. 


WILLIAM T. AMSDEN 


AMERICAN: CONTEMPORARY Moana baa <i 


97—SPRING ORCHARD 


GS 


EMERALD grassland, with fields and the humps of haystacks climpsed 
behind the pink and white blossoms of five fruit saplings in the fore- 
ground, the whole giving back dazzling sun tints from a brilliant sky. 


Height, 26 inches; length, 34 inches. 


Signed at lower right, WM. T. AMSDEN. 


Purchased direct from the artist. 


JULES BERTRAND GELIBERT 
FRENCH: 1834— 4A dwith 


98—REGLEMENT DES COMPTES 


Jo- 


AN execution in the animal kingdom. The corner of a farmyard wall, 
with all the dogs of the neighborhood crowded up to a fence to view 
the spectacle. In the right foreground before the wall with its 
affiches is a gallows, on which is the bound figure of a fox, with a warn- 
ing notice composed of two quatrains from Bertrand’s Fanfare du 
Renard ; guarded by two setters with rifles and cocked hat, on either side 
of a heap of slaughtered fowls. 


Height, 29 inches; length, 38 inches. 
Signed at lower left, JULES Bp. GELIBERT, and dated 1891. 


Paris Salon, 1891. 


Purchased direct from the artist. 


i) | PIERRE CARRIER-BELLEUSE 
oO 


FRENCH: 1851— Auweled ee 


99—-PIERROT 


BEFORE a gray curtain, at the foot of which is a fallen flower, stands 
2 the figure of Pierrot clad in a white jacket, knee breeches and stockings, 
with a huge white ruff, posturing with hands and red lips before a gilded 
mirror held in the left hand. 


Pastel: Height, 36 inches; width, 19 inches. 


Signed at lower left, PIERRE CARRIER-BELLEUSE, and dated 1891. 


Purchased direct from the artist. 


| CARLTON T. CHAPMAN, N.A. 7 
4GO 7 AMERICAN: 1860—I925 4 yy | y ergs a 
100—_WHITE WINGS _ a 


Tue calm open shore waters of the ocean, with the low line of the 
coast at the right. The sea is studded with schooners with their tri- 
angular masses of sail looming up into the clouded summer sky, the two 
vessels in the foreground in communication by means of boats. 


Height, 27 inches; length, 55¥ inches. 


Signed at lower left, CARLTON T. CHAPMAN, and dated 1887. 


Purchased direct from the artist. | 


3 OTTO STARK ; 
7 On AL Anthush, 
AMERICAN: 1859— 
LOL EVENING | 


“Tue dark flat earth is spread out under a pallid evening sky, flecked 
with orange clouds near the yellow horizon. In the extreme foreground, 
the two half-length figures of an old bearded peasant with broad- 
brimmed hat and hoe and a rake over his shoulder, his wife with a red 
handkerchief about her head and carrying a sack filled with greenery, 
are seen in profile trudging along side by side. 


Height, 37 inches; length, 49 inches. 


Signed at lower right, Otro Stark, and dated Paris, 1887. 
Paris Salon, 1887. 


Purchased direct from the artist. 


AUGUSTE FRANCOIS GORGUET 


Pa 
i a ¥. 


ba E /bo 41 | FRENCH: XIX CENTURY ‘ : 
= dunelhu Gallerwe 


102—LA VAGUE ET LA PERLE 


A GREEN summer sea splashing lazily in on to the sand of the fore- 
ground, where is reclining in the sunshine a nude young woman with 
unbound dark hair, her arms stretched above her head, beside two glist- 
ening shells. 

Height, 23 inches; length, 42% inches. 


Signed at lower left, AUG. FRANCOIS GorGueT, and dated BIARRITZ, 
18go.. | 


- Purchased direct from the artist. 


\ 


— —< . ~ a ~ = . —— a = one 
es seep ts, 5 TN Reni Tk a naeromaeteg Hh A * as, * .—— ai a a “3 Aptiras ‘ —— . 
- t t ; ' a oe bd i “a he ae sy 2 P ie 7s rs ” nis ies sa 


AMERICAN: CONTEMPORARY 


it b M. LAURENCE 
ie //o- Wi ki hanilrw 


103 MARINE 


Tue gray sky heaped with cumulus storm clouds, breaking a little 
toward the zenith; beneath, in an angry green sea curled in white, 
a huge roller is breaking athwart the scene. | 


Width, 43 inches; length, 52 inches. 


Signed at lower left, S. M. LAURENCE, and dated 1896. 


Purchased direct from the artist. 


5 MU LAU REN CEs 


bo ah AMERICAN: CONTEMPORARY 4. F 


104—KYNANCE COVE, ENGLAND 


AN arm of the sea, the shore extending in a sweeping cu 
foreground into the left middle distance, and glowing red 
afternoon light; its flowing line sharply broken at the up 
granite rocks. A lazy green sea is ebbing slowly to the ac 

of a flight of sea gulls. ian 


Height, 22 inches; length, 50 Vie 
Signed at lower right, S. M. LAURENCE. | * 


Purchased direct from the artist. 


i Ek Woo 7 vit 


SECOND AND LAST SESSION 


} 
e. FRIDAY EVENING, JANUARY 22, AT 8:15 O7?>CLOCK 


Catalogue Numbers 105 to 210 inclusive 


| WILLIAM JOHN WHITTEMORE, A.N.A. 
E% 5% ; AMERICAN: 1860— of Younilkiae 
~ 105—OLD FASHIONED GARDEN 


A sunny lawn with trees and the gable of a house behind; in the fore- 
_— ground, among the gay clusters of flowers of an English garden, is a 
~ young woman in white with a crimson sunbonnet. 


Height, 12 inches; width, 9 inches. 


Signed below, WM. J. WHITTEMORE, and dated 1886. 


Purchased direct from the artist. 


ba CAAkLES COURTNEY CURRAN, N.A. 


JO a AMERICAN: 1861— eae 


106—EVENING: PONT ST. MICHEL 


Tue road and sidewalk glistening with the rain, and four-wheelers, 
barrows, pedestrians with umbrellas mingled under the lamp light. 
The hill of Montparnasse in the rear is fringed with buildings and 
trees under the night sky. 


Panel: Height, 9% inches; length, 12 inches. 


Signed at lower right, CHas. C. CURRAN, and dated PARIS, 1889. 


Purchased direct from the artist. 


GEORGE ELMER BROWNE, A.N.A. 


AMERICAN: 1871I— VA Khe ; 
107—MONTE CARLO 


EVENING at the Café de Paris, with Chinese lanterns hanging in the ~ 
blue-green sky. The garden is filled with small tables, at which are — 
diners in evening dress or in uniform, and waiters in attendance; an 
attendant is serving Turkish coffee amid a clatter of dishes and conver- 
sation. 


JNO 1 


Millboard: Height, 14% inches; width, 14% inches. 


Signed at lower right, GEO. ELMER BROWNE. 
Exhibited at the Salmagundi Club. 


GEORGE HERBERT McCORD, A.N.A. 


So - AMERICAN: 1848—1909 oh Aa Vz 


108—BY THE SEA 


A STONE fence with a ramshackle wooden gate shuts off a small grassy 
enclosure bounded by rocks and a scrub oak at the right, and a small 
fisherman’s cottage at the left, before which is a figure. In the dis- 
tance, a calm deep blue sea stretches its expanse under the cloudy tur- 
quoise sky. 3 


Height, 12 inches; length, 16 inches. 


Signed at lower right, Geo. H. McCorp, N.A. 


Purchased direct from the artist. 


Pag ear 


BENJAMIN FOSTER, N.A. 


JO- AMERICAN: 1852— vs teanulleco 


109—GLOIRE DE DIJON 


A TUB-SHAPED black earthenware vase holds a spray of these beautiful 
white roses with their subtle internal tints of pink and orange-yellow. 


Height, 14 inches; length, 22 inches. 
Signed at lower right, BEN Foster. 


Purchased direct from the artist. 


IRVING RAMSEY WILES, N.A. 
Go - thrli, Only 


AMERICAN: 1861— 


110—COSTUME STUDY 


BEFORE a pea-green drapery is seated in a chair facing right, her head 
turned downwards towards the observer, a young woman with her hair 
dressed high in the manner of the ’eighties, robed in a flowered grayish- 
black Japanese kimono and holding a red fan. 


Height, 18 inches; width, 16 inches. 


Signed at lower left, IRVING R. WILES, and dated 1885. 


Purchased direct from the artist. 


fea AMERICAN: 1872— phonation 


A COLD, barren-seeming land with two pairs of feathery trees before a 
the purple-gray mass of woodland behind, broken by a gap at the right, 


O04 


GEORGE MS BRUGES Tae 


t1r1Ii—-NEW ENGLAND PASTURES 


opening to a further vista. A grayish morning sky lightens towards a 
the horizon. 
Fleight, 12 inches; length, 16 inches. 
Signed at lower left, Gko. M. BRUESTLE. 
Exhibited at the Salmagundi Club. 


Purchased direct from the artist. 


G. H. STANLEY ; 
AMERICAN: XIX CENTURY Mukn Sled 


112—TWO SISTERS 


SOMBRE interior of a garret, with stove, broom and impedimenta at 
the left. A shaft of light from an unseen window falls on the faces 
of two children, one of whom is seated on a stool sewing, the other 
standing next her with eager curiosity. 


Height, 22 inches; width, 19% inches. 


Signed at lower left, G. H. STANLEY. 


c, CHARLES COURTNEY CURRAN, N.A. 
| _ AMERICAN : 1861— hw 6M. bney 
Seitg3—AUTUMN EVENING 


_ Lone brown grass and bracken before a mournful prospect of brown 
and copper-red trees, grouped like upright sentinels in the still air be- 
fore the pink and yellow sunset sky in perspective, away to the right 
sot the scene. her 
Height, 18 inches; length, 22 inches. 


Signed at lower left, Cuas. C. CuRRAN, and dated 1888. 


_ Purchased direct from the artist. 


a - - THEODORE ROBINSON 


3 KOO ~ AMERICAN: 1852—1896 Yacht Eellbeoer 


114—NORMANDY FARM 


In the immediate foreground a flowering shrub bedecked with white 
blossom, and half concealing the farm buildings behind, with their warm- 
toned, sloping roofs. By the wall at the right, a woman in an apron 
is gathering flowers. 


. W ater-color: Height, 14 inches; length, 16% inches. 


uk ! . . 
inte OED 


Signed at lower left, TH. ROBINSON. 


Note: The above is the original water-color sketch for the completed oil painting, 
is No. 169. 


COLIN CAMPBELL COOPER, N:ALy 


AMERICAN: 18 i se, bal 
11g—THE RIVA SCHIAVONI, VENICE =p 


THE cobbled place looking westwards, the Molo with its ia columns, | 
the Duke’s Palace and thes Old Library; on the farther bank i in the left | 
middle distance, the domes of the Santa Maria della Salute. in thes 
sunshine men and women and civic guards in gay Costin ess are. e strolling 
about, with pigeons fluttering in the foreground. — a aaeatne 4 


/407 


a 


- Water-color: Height, - inches; length, 26 inches. 


Signed at lower right, COLIN CAMPBELL CooPER. 
Salmagundi Club W ater-color Exhibition. 


Purchased direct from the artist. 


BS 4 WARREN B. DAVIS Spannllow 


AMERICAN: XIX CENTURY 


116—LADY RECLINING ON DIVAN 


INTERIOR, with a divan luxuriously piled with cushions; extended at full q 
length is the figure of a young woman with dark hair clad in a long 


white gown of the ’nineties and reading a book, a pink carnation twirled _ 
idly in her right haid. = 


Water-color: Height, 11 inches; length, 14 inches. 


Signed at lower left, WARREN B. Davis. 


Purchased direct from the artist. 


LOO 1 AMERICAN: 1859— 


CHILDE HASSAM, N.A. 


117—IN THE RAIN 


A STREET corner, seen from above, showing the sidewalk at the base 
of a building, crowded with pedestrians carrying umbrellas, the road at 
the left with a black mass of carriages and four-wheelers. In the fore- 
ground is drawn up alongside the curb, facing the left, a hansom with 
a tired horse, awaiting a fare. 


Water-color in monotone: Height, 18 inches; length, 22 inches. 


Signed at lower left, CHILDE Hassam, and dated 1896. 


AUGUST FRANZEN, N.A. 


So 7 AMERICAN: 1863— ye fonts 


118—OLD MAN (ST. PIERRE). 


ne. 
BErorE a background of sunny grass and gray sky, the half length — 
figure of an old peasant with white hair and ruddy face, clad in aaa 
leather waistcoat and white shirt, the sun ee igs color tones” 
on to his face and figure. 


W ater-color: Hugh. 24 inches; width, 17 chee a 


Signed at lower right, AUG. FRANZEN. 


Purchased direct from the artist. 


GEORGE HERBERT McCORD, A.N.A. 


JKO 7 7 AMERICAN: 1848—1909 
OA. ming 


119—ENGLISH HERRING BOAT 


THE night sea, with the moon half obscured by trails of cloud, but — 
throwing a soft light on the tumbled water. In the foreground, the 
pole of a buoy, and a large two-masted smack, with its triangular brown 
lateen sails spread, drifting to the right. 


Height, 12 inches; length, 16 inches. 


Signed at lower right, G. YH. McCorp, 


BRUCE CRANE, N.A. 
| . AMERICAN: 1857— 


b 120—MISTY SUNSET , 


WINTER, with the broad snow-covered road curving away from the 
ta foreground out to the left behind the walls of a small barn. Over the 
__ indistinct bare woodland vista at the right, the orange ball of the sun 
setting in a cloudy haze. 


Fa Millboard: Height, 11 inches; length, 1734 inches. 


- Signed at lower left, BRUCE CRANE. 


Purchased direct from the artist. 


, CHARLES COURTNEY CURRAN, N.A. 


} io ee AMERICAN: 1861— ee 


121I—THE CABBAGE PATCH 


e BEHIND the stone wall is a cottage, with lines of laundry hanging out 
| on a stripped tree; in the foreground, a sandy cabbage patch with a 
woman in white bodice and apron gathering vegetables in a basket. 


Height, 12 inches; width, 9 inches. 


Signed at lower right, CHas. C. CURRAN, and dated MILFORD, 1896. 


Purchased direct from the artist. 


ARTHUR PARTON, N.A. 


b0- CAN: 1842—I9QI YA J Sey 
AMERI : 1842—I9I14 Shes _ 


122—THE HAYFIELD 


A MEADOW scattered with hay pitched by two men on toa wagon in the | 
foreground. Behind, the ground rises slowly to the right in a rida 
of black earth starting from a clump of trees at the left and in sharp 

contrast to the pale gray heavens. : 


scitarssemapreanncectiamnimnehr ete a a : 
= Toes 


Height, 12 inches; length, 16 ache 


Signed at lower left, ARTHUR PARTON. 


Hen OINTMENT STA A, TL 


LEONARD OCHTMAN, N.A. 
$0 4 : AMERICAN: 1854— Vi Komi 


123—HOMESTEAD 


GRAss meadows divided by a narrow road running across the scene; on a: 
the far side of it, a white country house with red chimneys, brave in the 
sunlight among the green trees which surround it. ‘The sky is of a 
delicate blue with white veils of cloud. 


‘i 


Height, 12 inches; length, 16 inches. 


Signed at lower left, LEONARD OCHTMAN. 


Purchased direct from the artist. 


: Ss ALEXANDER H. WYANT, NLA. 
i pce 7 AMERICAN: 1836—1892 ae 


bia.—woop INTERIOR 


- UNEVEN grassland in the shadow at the foot of tall partly stripped 

elms, whose foliage almost entirely intercepts a view of the gray sky. 

_ In the middleground where the bracken ends, a glimpse of a forest 

_ ‘stream. 

- git, 17% inches; width, 12 inches. 
_ Signed at lower left, A. H. Wyant. 


Purchased direct from the artist. 


EMIL CARLSEN, N.A 


} 140 *y AMERICAN: 1853— Me ha lhey Saland 


125 GARDEN SCENERY 


, A PLAT green meadow, the far edge bordered by trees; in the fore- 
ground three half-bare trunks with spreading branches, taking on new 
green foliage, and sheltering a wispy bush. 


EF Height, 20 inches; width, 16 inches. 


| Signed at lower left, EMIL CARLSEN. 


Purchased direct from the artist. 


704 _ GERMAN: eb: Century ee 


KOO 


ADOLF SCHLABITZ 


Guard 


126—SCH UTZENKONIG 


FULL-LENGTH portrait of an official facing the left, in cocked hat, dat : 
green military coat and light trousers, bedecked with sword and cigar, * 
languidly pulling off a white glove; over his right shoulder is trium- 3 
phantly draped a buge floral wreath. ‘ ye 


Height, 26 ices width, 4 inches. 


SA TE It —— 


Signed at lower right, SCHLABITZ, and dated oe 


Purchased direct from the artist. 


RE INN A EN EIN RE eM 


BRUCE CRANE, N.A. 


et AMERICAN: 1857— Sh AL 


127 AUTUMNAL GRAYS 


THE corner of a still pond, the bank at the left knee-deep with brown di 
bracken, curving round to the right to lose itself in a mass of russet 
leafage. A blue-gray is) looks down on the whole, and is reflected in 
the water. 


Height, 12 inches; length, 18 ‘ache = 


Signed at lower right, BRUCE CRANE. 


Purchased direct from the artist. 


| CHARLES FREDERICK NAEGELE 
: 175 - AMERICAN: 1857— 


128-—-THE YOUNG MOTHER tuner Gallerie, 


HALF-LiNGTH picture of a young woman in a rose-pink gown, her back 
to the observer. The dress is drawn away from the neck so that the 
light plays on the beautiful white shoulders and the dark brown hair 
as her head is bent down to the unseen nursing child. 


Panel: Height, 30 inches; width, 20 inches. 


Signed at upper left, CHARLES FREDERICK NAEGELE. 


Purchased direct from the artist. 


ALBERTA GROE ENG 


Li2O AMERICAN: 1866— toa 
2 LIb Meads 


129 ARIZONA 


A BARE flat plain ringed about with low blue hills, their gradual slopes 
forming the lower edge of a brilliant summer sky streaked with trail- 


ing masses of white. | 
Panel: Height, 10% inches; length, 16 inches. 


Signed at lower right, A. L. GROLL. 


Purchased direct from the artist. 


CHARLES COURTNEY CURRAN, N.A. 


LBo- AMERICAN: 1861— IS land 


130—PEONIES 
A DELICATELY painted spray of full white peonies flecked with orange 
and nested in deep green, wind-blown leafage. 


Height, 22 inches; width, 18 inches. 


Purchased direct from the artist. 


24, 

¥ 
hn 
“GN r 


eee S. CHAPMAN, A.N.A. 


AMERICAN: 1879— — hh. Xx. black 


1g1-NOISES OF THE NIGHT 


g ig HE edge of a pine forest, with an unseen moon n shining brightly on 
?p atches of snow. In the foreground, at left, the massive trunk of a 
i tree with snow-laden branches, underneath which is a young fawn list- 
ening, with its Boece errs the observer. 


& 
a 
Z00 
ft ; -— 
Ces , 
a 4 
eee My 


“ a Beh, 14 inches; width, 14 inches. 


=a 
3 E Boris at lower left, ey Se Sahat and dated 1918. 
| Purchased direct from the artist. 
a GEORGE HERBERT McCORD, A.N.A. | 
175 - | AMERICAN: 1848—1909 Abcman Oneal 
132—-THE RUSSET MARSH. (ARIZONA) 


Beat brown swampy ground with a reedy pool in the foreground, and 
_ stunted trees behind; in the middle distance at the left, a white cottage. 
The windy morning sky is turquoise-blue and banked with white clouds. 


Height, 14 inches; length, 20 inches. 


Signed at lower right, G. H. McCorp. 


ae 
. 


Purchased direct from the artist. 


FRANKLIN DE HAVEN, N.A. 


Om AMERICAN: 1856— fi tamblen 


133-—-HILLSIDE LANDSCAPE 


WILD grassland, with scattered stones, rising gently to the right; in the 
middle distance, a belt of shrubs and a single russet and green trec 


before a pale wind-swept sky. 
Height, 16 inches; length, 22 inches. 
Signed at lower right, F. DE HAVEN, and dated 1887. 


Purchased direct from the artist. 


ROBERT CRANNELL MINOR, N.A. 


2007 AMERICAN: 1840—1904 II iade 


134—AT SUNSET 


A GENTLY rising landscape with two clumps of trees flung in graceful 
silhouette against the varied tints of a cloudy evening sky, warming to 
a ruddy orange near the horizon. In the foreground between the tree 


masses, the vague shape of a man leading a pack animal. 


Millboard: Height, 12 inches; length, 16 inches. 


Purchased direct from the artist. 


a W. GRANVILLE SMITH, N.A. 


joe = AMERICAN: 1870— LL WH ( 
13 s5—LANDSCAPE 


Mrapow ann, with a narrow stream crossing the foreground and a 
c ump of delicate birches at the left topped by thick masses of Biel 
sec en against a blue-and-white summer sky. 


- Height, 14% inches; width, 14% inches. 


‘Signed @ at lower Bain. GRANVILLE SMITH. 


+ Purchased direct from the artist. 


{— > 


of GEORGE HERBERT McCORD, A.N.A. 


180 Tid AMERICAN: 1848—I909 aay ‘ 


136—ROCKY NECK, GLOUCESTER, MASS. 


q AY the left the quiet surface of an inlet with sailing ships at anchor; 
the grassland, crested with trees among which nestle a few houses, runs 
~ down to the water’s edge. In the foreground an upturned boat and a 


countryman carrying a hoe. 
Height, 12 inches; length, 16 inches. 


Signed at lower right, G. H. McCorb. 


Purchased direct from the artist. 


IRVING RAMSEY WILES, N.A. 
SSO 74 AMERICAN: 1861— . | 
137—RETROSPECTION 


THE corner of a field at high noon, fringed with green trees. Seated 
on a log at the right, with his back towards the observer, is the farmer -_ 
in shirt and trousers, thoughtfully smoking a pipe, while next him a — 
brown horse harnessed to his plough blinks drowsily in the sunshine. 


Height, 16 inches; length, 20 inches. 


Signed at lower right, InvING R. WILES, and dated 1887. 


Purchased direct from the artist. 


LEWIS COHEN, A'Nv Gs 


ENGLISH: 1857—I915 Hany Jad 


138—PONT ST. MICHEL, PARIS 


THREE arches of the massive bridge cross the crowded Seine, and are 

laden with vehicles and pedestrian trafic. In the foreground at the 
left, is a stage with workmen; behind, the mound of white buildings 
which is the hill of Montparnasse, and at the right towering above the 
river, tree masses. [he whole is bathed in warm summer sunshine, 
catching points of color in the blouses of the workmen and the rusty 
metal of the construction apparatus. 


/3O F 


Panel: Height, 18 inches; length, 24 inches. 


Signed at lower left, LEwis COHEN. 


PAO EA GCORNOY E.R; AUN WA, 


bo - _ AMERICAN: 1864—1923 Jy, LG Wy ; 
139—A HAZY NIGHT 


A PLAZA with a central obelisk, possibly representing the old Worth 
monument and Madison Square, New York. ‘The observer looks along 
a main thoroughfare behind the monument, while to right and left are 
the dim shapes of buildings with brightly lit store windows. Rain has 
fallen, and a light evening mist softens the bare trunks of the leafless 
trees. ) 
Height, 12 inches; length, 16 inches. 


_ Signed at lower left, PAUL CORNOYER. 


From a Salmagundi Club sale. 


HOWARD GILES 


50 4 AMERICAN: 1876— KmiaAd Udleet: 


140—SHEEPSCOT BAY 


BLUE sunlit water with a low brown coastline at the top of the canvas, 
and in the foreground the humped mass of a brightly tinted rock. 


Height, 16 inches; width, 12 inches. 


Purchased direct from the artist. 


S7O- 


a AMERICAN: 1883— ff 


GEORGE HERBERT McCORD, A.N:A. 


AMERICAN: 1848—1909 2 
Seaman, le We 
141—DORDRECHT " 


EVENING on the quiet waters of the Merwede, with a blue sky flecked 
with clouds spread over the sailing vessels, and the quay at the left with © 
its cluster of dwelling houses and scanty trees huddled about the dome — 
and belfry of the Groote Kerk. 3 


OR LN LTTE TR PEN 


Height, 20. in) ncheea 


Signed at lower left, G. H. McCorp. 


Purchased direct from the artist. 


GUY CARLETON WIGGINS, A.N.A. 


142—A SEA PORT 


A SEA of the palest ultramarine under a summer sky, and scattered with 
small yachts and fishing vessels; at the left the bright roofs of the — 
town, and the quay with a tall three-masted schooner moored to it and 
pointing its bowsprit at the observer. 


Millboard: Height, 12 inches; width, 16 need 


Signed at lower right, Guy C. WIGGINS. 


Purchased direct from the artist. 


JOHN F. CARLSON, N.A. 


iz JIO 1 AMERICAN: 1857— i Siamay | 
- 143—WINTER BEECHES 


% _ Tre forest, with a snow-covered path running laterally across the scene; 
__ the rest is a mass of stripped upright trunks of beeches, reflecting green- 
= ish light from the sun. 

4 Height, 12 inches; length, 16 inches. 
+: Signed at lower right, JouN F. CARLSON. 


_ Purchased direct from the artist. 


CHARLES COURTNEY CURRAN, N.A. ; 


65 AMERICAN: 1861— VA Yanrllew 


144—MILKING. TIME 


THE corner of a field, with yellow flower-strewn sunlit grass and a cur- 
tain of dark trees behind. A young girl in pink bodice and blue skirt 
is milking a brown cow unconcernedly cropping the grass, a dog beside 
her, while farther off a black calf wanders away into the woods. 


Height, 18 inches; length, 22 inches. 


Signed at lower right, CHas. C. CURRAN, and dated 1889. 


Purchased direct from the artist. 


CARLETON WIGGINS, N.A.- 


L200 ae AMBRICAN: 1848— italy 


145—-EVENING GLOW 
Grassy meadow land rising to the right and fringed on the horeon i 
a belt of woodland and a detached clump of trees, seen blackly against 
the uncertain cloudy sky of evening. In the foreground a small flock — 
of pasturing sheep. | ie 
: Height, 25 Shee ae 30 inches 


Signed at lower left, CARLETON WIGGINS. Ss 
Purchased direct from the artist. ar 


Wop BRUCE CRANE, ae “ 


AMERICAN: 1857— 


146—ESTIVAL LANDSCAPE 


THE undulating grass of the foreground is broken by rocks and bisected 
by a track which runs away into the distance. Along the left of the 
path an occasional tree is thrust up into the summer sky; an unseen sun 
casts a great dark shadow across the foreground. 


Millboard: Height, 12 inches; length, 18 inches. 


Signed at lower right, BRUCE CRANE. > 


Purchased direct from the artist. 


Se RAR aS RATES aioe verre aay 


aa 


- 


LEONARD OCHTMAN, A.N.A. 


AMERICAN: 1854— byulbevicllrue 


S 


147—MOONLIGHT 


_ AN inland lake, lulled in the rays of an invisible moon, which shines 


on the houses of the farther shore and a white sail of a yacht. In the 


_ foreground a grassy bank with slender tree-trunks cut off at the top of 
the canvas and arching delicate foliage above the scene. 


Height, 16 inches; length, 22 inches. 


Signed at lower left, LEONARD OCHTMAN. 


Purchased direct from the artist. 


CHARLES COURTNEY CURRAN, N.A. 


Vo AMERICAN: 1861— Gray 


148—EARLY MORNING IN JUNE 


THE cold air is swept in the distance by gray mist which is slowly clear- 
ing away from the meadowland. In the foreground scattered brown 
and black cows are browsing in the long grass; a ditch with young 
willows, and a fence rail bounds the field at the right. 


Height, 16 inches; length, 22 inches. 


Signed at lower right, CHas. C. CURRAN. 


Purchased direct from the artist. 


HENRY W. RANGER, N.A. 


AKSEO 7 | AMERICAN: Si 1916 
| | be Sa 


eed eeEN ABI cetETE AND STREAM 


THE sluggish water stretches across the scene, ee farener bank bor. - 
dered with lines of slender birches at the left and in the central middle 
distance by the houses of a village with a white church spire, the line 
being carried out to the right by four scattered willows. Uncertain 
blue sky, with balls of yellowish cloud. _ 3 im 


_ Height, 18 iwcheee length, 26 inches. 2 


Henry W. Ranger Collection, American Art Acsounen (ore 


MATHIAS SANDOR | . | 
AMERICAN: 1857—1920 Up “UD hee : ya . 


1$0—THE THREE GRACES 


GO 


THE road curves diagonally away from the left foreground, passing 
by three tall maples and descending into the valley through the heavy 
dark green foliage that borders the ridge; on the far side under the ~ 
clouded blue sky is seen the rise of the violet hills. 


Height, 2314 inches; width, 20 inches. 4 


Signed at lower right, MatTutas SANDOR. 


Purchased direct from the artist. 


HENRY WILLSON WATROUS, N.A. 


KS O 7 AMERICAN: 1857— J. Aeon 


1st—d QUIET SMOKE 


INTERIOR: a table with pens, ink and paper, books and a bottle of wine. 
Seated facing half left, in white satin waistcoat and knee breeches and 
bottle-green flowered coat, is an elderly man smoking a clay pipe with 


epicurean enjoyment. 
Height, 16% inches; width, 1334 inches. 


Signed at lower right, WATROUS. 


From the Ainslie Galleries. 


FRANKLIN DE HAVEN, N.A. 


JO 4 AMERICAN: 1856— B ba Mey 


152 SQUALL ON COAST 


Inky thunder clouds, broken by a jagged ribbon of angry blue lowering 
over a wild sea thrashed into white foam in the foreground. 


Height, 30 inches; width, 24 inches. 


Signed at lower left, F. DE HAVEN. 


Purchased direct from the artist. 


FRANK-WATSON BENSON, N.A. 


le bal levecs 


E. Jor . AMERICAN: 1862— 


153 MOONLIGHT ON THE WATERS 


A WASTE of ocean, crossed by the horizontal masses of spume from 


i® «the breaking of waves; a full yellow moon, low on the horizon, throws 
a ruddy beam over the water. 


. ae | . Height, 15 inches; length, 30 inches. 
Signed at lower left, FRANK W. BENSON, and dated 189g. 
WEviabited at ihe Salmagundi Club. 


Purchased direct from the artist. 


4 FREDERIC EDE 


| O Mepeulhz 
/ 4O-7 SWEDISH : CONTEMPORARY 


154—WINTER 


A BEND in the river, with either bank overgrown with brushwood, piled 
with feathery snow. Over the water is thrown a low red-brick bridge, 
where a group of cottages stands on the left bank; across it a woman is 


driving cattle. An uncertain orange-green light is faithfully reflected 
in the slowly rippling water. 


Height, 1534 inches; length, 32 inches. 


Signed at lower right, FREDERIC EDE. 


aaa 


é i? a 


EANGER IRVING COUSE, N.A. 


500 ~~ A 
@ MERICAN: 1866 
bhuly 7A) 


15s—INDIAN WITH BOWL 


SQUATTING figure of a swarthy Navajo Indian seen in profile to the 
right and holding up between his hands white pottery bowl. On the 
ground at his feet two vessels invested with a purple glaze, and a third 
with painted Indian decoration. . 


Height, 24 inches; length, 29 inches. 


Signed at lower left, E. 1. Couse. 


Purchased direct from the artist. 


a J. CAMPBELL PHILLIPS 
JO07 oi 


Z eae AMERICAN: as 3 fauk Garting tics 
: . 
- 156—PROFILE OF 4 YOUNG WOMAN 


¥ Heap and shoulders in profile to the right of a young woman with heavy 
i dark hair, her shoulders wrapped in a chiffon scarf and a cloak of 
_ peacock-blue. ‘The features are beautiful, with straight nose, small 
& _ red He an long cae eye- -lashes veiling the eyes. 


4 ss ae \ ee Height, 25 inches; width, 20 inches. 


‘Signed at lower right, J. CAMPBELL PHILLIPS. 


Purchased direct from the artist. 


ERNEST LAWSON, N.A. 


dip teditag ae weet % eb. gf s ~ 7 ek fp de + 2) eet 
Pome TE ee ee ye ne es tae sale Vad ‘ 
¥ t \ 2 r : Sey wii 


Bi é 
E S25 AMERICAN: 1873— hota VL 
eS 
 157—-MARCH THAW 
a A CHALKY synthesis of grays, yellows and greens, with curving snow- 
covered banks at right and left, crowned with slender bare tree-trunks 


almost invisible in the haze; between them the broad waters of a stream 
with masses of floating ice, losing its contours in the pale outlines of 

land and sky. 
Height, 24 inches; length, 36 inches. 


Signed at lower Icft, E. LAWSON. 


Purchased direct from the artist. 


a . ee 


/60 wate Bias AMERICAN: 1843—1923 


158 MERMAIDS 


A SUMMER sky and a laughing blue sea, aie hove 
maids ee idly in the wave crests. 


as" FRANKLIN DE HAVEN, NA. 
7 ee A « of WY 
| AMERICAN: 18 56— AG, 4g & 


159 —THE WATERSPOUT 


A DARK green angry sea with masses of lowering clouds in the ney 
above linked by the turbulent oPiea of a waterspout swirling ¢ over | 
wind-swept waters. 


Bee 24 tac length, 30 inches 


z 


Signed at lower left F. DE Haven. — a Nee —- 


a 
a. 


a FREDERICK JUDD WAUGH, N.A. 


180-4 AMERICAN: 1861— y LY , 4, Z 


feo ON PHE CORNISH COAST 


A MARINE with a wild sea breaking diagonally on massive rocks in the 
centre ground, illuminated by a glowing evening light from an invisible 


sun at the right. 
Height, 12 inches; length, 16 inches. 


Signed at lower right, F. WauGuH, and dated 1905. 


Purchased direct from the artist. 


BRUCE CRANE, N.A. : a 
40 7 AMERICAN: 1857— Als ba Le ae 
161—FARMHOUSE AND APPLE BLOSSOMS Bee 


THROUGH the green meadows two paths run away from the ee farom 
ground, bordered by a line of apple trees gorgeous with pinkish blos- = 
soms; behind them is a white farmhouse with its thatched roof | and 
red chimney, topped by trees with their branches already om w 
Pune leafage against a pale blue sky. Sten, 


Height, 25 inches; lengthy 35 inches : 


Signe at lower right, Bruck CRANE, A.N.A. 


Purchased direct from the artist. 


EDWARD WILLIS REDFIELD 


AMERICAN: 1868— €é.G. Yioky 


162—BOOTHBAY HARBOR 


/b70-+ 


THE waters of the port at night, with an olive-gray sky and sea; the — 
uneven land-line massed dark, with twinkling points of light, behind i 
the sails of the fishing boats anchored in the foreground, with their yel- 
low yard lanterns shining faintly. , 


Height, 29 inches; length 38 inthe 


Society of American Artists, 1904, Shaw Fund piles 


EDWARD GAY, N.A. 


NO -1 . AMERICAN: 1837— ; 
tesoblee Glbre. 


163—THE MIANUS RIVER 


___ A BROAD open landscape of fields and woodlands stretching away to the 
- horizon. In the right foreground, the narrow stream of the Mianus 


runs diagonally away, disappearing behind a clump of russet trees, and 
calmly reflecting the clouded gray sky. 


| vo. Height, 28 inches; length, 37 inches. 


Signed at lower left, EDWARD Gay. 


Society of American Artists, 1903, Shaw Fund picture. 


4 


JOHN FERGUSON WEIR, N.A. : 


AMERICAN: Se , A GZ, Y : : 


164—LA FRANCE ROSES 


10-4 


ON a white table cloth, before a sage-green background, is a Venetian _ 


glass dish and circular bowl filled with the gracious stems of open pink 
roses. : 


Height, 20 inches; length, 24 inches. 


Signed at lower right, JNo. F. WEtR. | - | 


Society of American Artists, 1906, Shaw Fund picture. 


LEONARD OCHTMAN, AN.A. 


JOO = AMERICAN: 1854— 


Yall Le llerce- 


165—MOONLIT VILLAGE 


THE open meadow, with a pond and the outskirts of a village; at the 
left a group of trees. In the middle distance are seen the gabled houses 
of the village with their lighted windows, paling into insignificance be- 
fore the yellow disc of a huge summer moon reflected in the water. 


ee eee 


Height, 18 inches; length, 22 inches. 


eae 


Signed at lower left, LEONARD OCHTMAN, and dated 1889. 


Purchased direct from the artist. 


THEODORE ROBINSON a ae 


I60 T ae | AMERICAN: 1852—1896 


166—NORMANDY FARM BUILDINGS 


A Low ont fence runs across the foreground, shutting off the ir 

white-walled heap of buildings with their scattered trees. - Behind, 
ground rises slowly to left and right, replete with bright tints un 
sky of blue with one immense mountain of white cloud. 


- Height, 10 inches ; pleat, 14 x c 


Signed at lower left, TH. RoBINson.. 


Purchased direct from the artist. 


CHARLES FREDERICK NAEGELE 


SMG 7 AMERICAN: 1857— Le a ze 


167—AMERICAN BEAUTY 


HALF-LENGTH portrait, in a décolleté white gown with a gauze scarf 
adorned with roses, of a beautiful young woman, seen in profile to right. _ 
The dark hair is dressed high away from the face with its straight nose 
and perfect complexion, the light from upper left falling on the white- 4 
ness of the neck and rounded shoulders and bosom. 


Panel: Height, 20 inches; width, 16 inches. = 


Signed at upper right, CHARLES FREDERICK NAEGELE. 


Purchased direct from the artist. 


ee 


: 


7 ene 


} 


? 


j bse Mh 


GEORGE ELMER BROWNE, A.N.A, 
170 a AMERICAN: 1871— Lf 


tf, 
168—_STORING THE GRAIN | 


FarM buildings, with the sun shining on the white wall of a thatched 
barn at the left, through the window of which a man is pitchforking 
sheaves of wheat from his perch on the wagon. In the foreground, at 
the right, is the kneeling figure of a woman, garnering the fallen grain. 


Monotone (Black and white): Height, 25% inches; 
length, 32 inches. 
Signed at lower left, GEo. ELMER BROWNE, and dated 1901. 


Salmagundi Club, Geo. Inness, Jr., Prize, 1901. 


4 2 D ad 
GlitZ 


THEODORE ROBINSON | 
VEL ct | AMERICAN: 1852—I 896 


bh: th 
169—NORMANDY FARM 


In the immediate foreground a flowering shrub bedeaeem th: 
blossom, and half concealing the farm buildings behind, with their w 
toned, sloping roofs. By the wall at the oe a woman in an — | 
is eo rhenine flowers. 


Signed at lower left, TH. ROBINSON. 


Purchased direct from the artist. 


ae BRUCE CRANE, N.A. — oa 
4NO 7 ; AMERICAN: 185 ae Hi Aan 


170—APPLE BLOSSOMS 


A PALE blue sky looks down on a white cottage and the wooden fence | 
in the rear bounding the meadow of the foreground, with its lush grass — 
and tiny brook. ‘Three apple trees form a perspective, blazing in the 
sunlight with masses of pinkish- white blossoms. : 


—— 


Heigl 14 inches; length, 20 inches. E 


Signed at lower right, BRUCE CRANE. 


Purchased direct from the artist. 


FRANCIS COATES JONES, N.A. 


. 


— s71—JUNE 


 SrarTep on a stone bench heaped with cushions, under the leafy branches 
of a tree, is a fair-haired young woman in a white chiton loosely draped 
with a yellow brocade robe, a tambourine in her right hand, her hair 
decked with roses, of which she holds one in her left hand. 


Circular: Diameter, 26 inches. 


Signed at right, FRANCIS C. JONES. 
Society of American Artists, 1904, Shaw Fund picture. 
Louisiana Purchase Exposition, St. Louis, 1904, Silver Medal. 


Lo - AMERICAN: 1857— 5 umtaas 


= 
ee ee ee oe 


SE OI a ac 


GEORGE WILLOUGHBY MAYNARD,:-N.A. — 


450 if AMERICAN: a Ve | “a | 


172 SPORT | = | 


A FLOWING blue wave in which four mermaids are plunging headlong 


7? 


to the left after a group of flying fish, in the white spume. a 


Height, 20 inches; length, 40 inches. 


Signed illegibly at lower left. | 


Society of American Artists, 1897, Shaw Fund picture. = 


b _ DOUGLAS VOLK, N.A. 

k Be? af AMERICAN: 1856— Jtully Alri 
 173—PURITAN GIRL 

b * A FLAT snow-bound landscape, with a glimmer of light along the hori- 
zon. In the foreground, leaning against the bare snow-covered trunk 


ei: of an oak, is the erect figure of a young girl with black dress and hood, 
ES in profile to the right, weeping bitterly. 


Height, 26 inches; width, 21 inches. 


Signed at lower left, Doucias VOLK. 


E FRANK WESTON BENSON, N.A. 
SGEO Fs AMERICAN: 1862— deaman, Hpk. 
—-3174-- SUMMER 


_ THREE-QUARTER length figure, facing the observer, of a fair-haired 
girl clad in flowing white robes wreathed about with a flowered scarf, 
her right hand extended in invitation. Background of green meadows, 
with the slender pole of a maple set symmetrically on either side of 
the figure and enclosing the sweep of the cloudy summer firmament. 


| Height, 50 inches; width, 40 inches. 
ie Signed at lower right, F. W. BENSON, and dated 1890. 
Society of American Artists, 1896, Shaw Fund picture. 


(Illustrated on cover) 


— 2 see 


es - ALEXANDER H. WYANT, 
KOO 7 AMERICAN: 1836—15 : 


175—LATE AUTUMN AFTERNOON 
A LEADEN sky with a lurid orange line across | 
the delicate forms of half-stripped russet sapl 

thickly covered with the fallen leaves and cleft by 
ing through the centre to the sky’s edge. 


Height, 16 inches: 
Signed at lower left, A. H. Wyant. 
From the Ainslie Galleries. 


(Illustrated) | 


Se Sah tae 


AUTUMN AFTERNOON 
ant 


= 
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4 


I 


175—LAT 


No 


) 


NA 


Wy 


AH 


Alexander 


(By 


SELES pase os I 


176—ON THE CANAL 


FLAT wooded Nomnandy. country, ae the can 


of cottages. On the blue water is a aiharee dae a 
on the farther bank, under a summer sky ee 


ee ae inc nie 


(uosuigoy asopoay Ty, Kg) 
IVNV) FHL NO—9ALI ‘ON 


ia #-! 7 rm 
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os 
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nh 
a 


AMERICAN: 1853— 


050 4 


177—HEMLOCK POOL 
A CLEFT in the rocks of the bed of a fast flowing 
its green waters over the fall into a foaming « 
foreground. : ~ 
. Height, 30 i1 
Signed at lower right, J. H. TWACHTMAN. 


5 — (LIlustrated) — 


a’ e 


177—HeEMLock Poor 
John Henry 


No 


(By 


wachtman) 


T 


re 


, y EMIL CARLSEN, NAL 
S00 - 2 gene AMERICAN: 1853 


ree 
“ve 


7 8—S TILL LIFE—I. 


A GRAY stone Roan with a sipiee kettle, a ane stontlage 
three heads of white garlic, lighted from the upper lef 


Height, 20 inches; a 


Sigdede at owe left, EMIL CARLSEN, cand dated 190 


Purchased direct from the artist. 


| EMIL. CARLSEN, NAS) ee 
AMERICAN: 1853— yy, ;) eee 


I 79S TELE LIFE—I1. x: 


and at the left a blue and white a Pane Chinese - bowl. a 
upper left. ae 
Height, 20 Athen length, 24 


Signed at lower left, EMtL CARLSEN. 


Purchased direct from the artist. 


(Illustrated) Rare ots aa ana 


WN ‘uasjiwn jug sg 
[[—aar]T TI1s—641 ‘oN 


HENRY OLIVER WALKER, 
“Awrican: aa ey 


9504 


I 80—MORNING 


AGAINST a vague gray-green background d of ms 


draped in a flimsy aes 
gleams pallidly in the matinal haze. 


ek 26 ts 7 


180—MorNING 


No 
(By Henry Oliver Walker, N.A 


.) 


atoO 4 HOBART NICHOLS, N.A. 
AMERICAN: 1869— ho 


181—MIDWINTER 


rising sharply behind and crowned by the serried masses of steno 
like tree trunks almost bare of leafage. The wee et 
sun permeates the whole with a bluish light. 


Height, 30 inches ; wiih 25 


Signed at lower right, HOBART Nicwors. 
Exhibited at the Salmagundi Club. 


Purchased direct from the artist. 


(Illustrated ) 


2807 BRUCE CRANE, a ‘ 


_ AMERICAN: 1857— ~ 


i82—_SNOW BOUND % 


DESERTED farm buildings at the right with icy roofs, on thie left a forall 
about a haystack and a row of bare stunted trees, completing the. triss 
angular enclosure. The ground is fast covered with snow, a gr a 
patch in the foreground reflecting the light of the zenith, ya warms: , 
to a purple-crimson on the horizon. a 


Signed at lower left, BRUCE CRANE. 


Purchased direct from the artist. 


A ee § i aE CS ET ea Sea Sa 
TS 


18 1—MIDWINTER 


O 


N 


(By 


) 


N.A 


Ms 


ichols 


Hobart N 


F900 1 _ THEODORE ROBINSON es 
AMERICAN: Oe bye LY, } ' 
183—THE VALLEY OF THE SEINE ; 4 


THE view is from a green slope in the foreground and embraces ‘hes a | 
wide valley of the Seine with the river, crossed by an arched bridge, — 
and the buildings of a town on both banks connected by it. A plain — 
beyond is bordered by a range of hills, and overhead is a sky of blue — ee 
with some floating clouds. The effect is in gentle sunlight and the color a 
scheme shows the delicately graduated tints characteristic of, ‘the 39 
painter’s work. 4 

Height, 26 inches; length, 33 inches. 


Siahnel at the lower right, TH. RoBINSON, and dated 1892. a 
—— From the George A. Hearn Collection, American Art Association, corel a PA 


(Illustrated ) | | oe ji ¢ 


“ea mS 


(uosuiqoy asopoayy Kg 
ANIAG AHL JO AUTIVA AHT—CR8I ‘ON 


ae CHAUNCEY FOSTER RY DEK N 
6254 7 Moy Wee AMERICAN: 1868— 


184—THE OLD ROAD 


A WINTRY green plain with scattered bene pol S 
the wind from a grayish-yellow sky; the road, } 
grass, runs away at the left from the foreground, 
of boulders at the right, near which is seated the 


Height, 25 inch 
Signed at lower right, CHAUNCEY RYDER. 
Purchased direct from the artist. 


ee a Parte: | (Illustrated) 


V 


N ‘4aphy saisoy Kaounvyy «6g 
aqvoy GIO AH JT —VEgI ‘ON 


aug, 


JOHN FRANCIS Is MURPHY, 3 


AOOO vis AMERICAN: 18 531921 
18s AUTUMN DAYS oo 


A FLAT brownish plain rising slowly i inca 1 swell at 1 
gray heavens; a central group of sycamores and ¢ 
trunks half concealed by screens of russet foliage, 
cate birch saplings, with their wispy branches ; 
the afternoon sky. 


Height, 24 i 
Signed at lower right, J. FRANCIS Morpuy, anc | 


Purchased direct from the artist. 


( I llustrated) — 


No. 185—AUTUMN Days 
(By John Francis Murphy, N.A.) 


ee HUGH BOLTON JONES, N.A. 


186—EARLY SPRING | oe a ‘ es 


A MEANDERING cart road, aay overgrown with 


of ee alae In the sige foreground, a oe q 
on to the road. | Gy 
, H Foe 29 inch 


cane at lower left, H. Toisas Jones. 
Society ef, American Artists, 1902, Shaw Fund 


(I lstrated) 


‘VN ‘sauor uoyog yony fq) 
ONIAdG ATAVY—9I8I “ON 


BRUCE CRANE, NAL 


- AMERICAN: 18. ae a ; 


GIO 


189--GREY FIELDS=- 5 ns 


LEVEL brown land rising slowly in the backgrou 
woods at the right. The ground is strewn with 
stumps, and a chain of five bare birches is flung 
and the pale wintry sky. In the right middle « 
camp fire, focusing the perspective lines of the « 


Signed at lower left, BRUCE CRANE, N.A. 
Pennsylvania Academy of the Fine Arts, 192 I. Be 


Purchased direct I from the artist. 


titasPaied ). 


CRIN 
SATA 


¢ 


IUDA") IINAT 


Ada 


j—LgI1 


gq) 
aye 


00 5 , AMERICAN: 1856—1904 


188—A GRAY MORNING i 


a HAZE hangs over the pastures in the cold morning Went so. 5 thae 
contours of the trees and the hump of the haystack in the backgrc 
are rounded softly. In the forse nguog two cows and a ae None é 


ald grass a little way off at the right. 
Height, 30 inches ; length 40 ‘in 


Signed at lower right, C. MORGAN McILHENNY. 
National Academy, First Hallgarten Prize, 1893. 
Centennial Exhibition, Grand Central Art Galleries, 1925. 


Purchased direct from the artist. 


(Illustrated ) 


CRN PV ‘huuaypow uvbsoy sajavyy Sg) 
ONINYOJY AVY W—88l “ON 


: eee “DOUGLAS * VOLK, NAG 
PPA, oe sau AMPRICAN: 1856 ue 


I so THE WOODLAND MAID 


Signed at lower left, Doveras VOLK. ees 
Society of American Artists, 1899, Shaw Pund pictur 
(I lustrated ye oe 


No. 189—THE Woopianp Marp 


Douglas Volk, N.A.) 


(By 


hea EDMUND CHARLES TARBELL, N. 
hi ene ‘ 3 | AMERICAN: i | 


"EOG=- fie Beane a 


INTERIOR, with a sofa covered with white piles td nen : 
is seated a black-haired young woman, nude and with her f td 
into a bath, and facing the observer. At the left a maid clad in sp 
muslin is kneeling to dry the right arm of the beatae prams 2 


aes 40 inches ; width, . 


Signed at lower left, EomMuND C. AD Annee ison 


Society of American Artists, 15th Annual Exhibition, 1893, s 
picture. oh oe 


(Illustrated ) 


a ee 


No. 190—TuHE BATH 
(By Edmund Charles Tarbell, N.A.) 


| LEONARD OCHTMAN, A.N.A. + 
LHO 14a AMERICAN: 1854— 


19 1—EARLY MORNING 


THE great heavens, with a hint of Aeetes in the East, Took fownl 
rolling moorland dipping in the middle distance and disclosing | é 
ther valley with a solitary white cottage. Horizontal masses, not 
distinguishable as forests, emphasize the straight lines of the hori: , 
which is broken only by a solitary tree in the right foreet oun at 2 
corner of a stone fenced field. aS 


Signed at lower left, LEONARD OCHTMAN, and dated.1902. 


Society of American Artists, 1902, Shaw Fund picture. 


(Illus tra ted ) 


CRN P ‘uvmiysQ psvuoaT fg) 
ONINYO[Y ATAVY—I161 “oN 


ee 


ot, 


eee WILLIAM SERGEANT KEND 
OO a - OVE AMERICAN: 1869— e 


192—-GREEN GNOME | 


PANELED interior, before a door; in a green 
facing son is seated a young woman cneseege in b. 


2 


(Illustrated) 


No. 192—-GREEN GNOME 
(By William Sergeant Kendall 


ata Mare eo : s 
i200 7 AMERICAN: 1 S49 1916 | 


193—d FRIENDLY CALL 


THE end wall of a studio, hung with ee and 
Japanese textiles, and a huge gilded pier glass. On 
covered bench below is seated the dark-haired lady of 
biscuit-yellow dress, talking to the visitor, a lady robed in 
with veil, parasol! and flowered white hat. is: 


Height, 31. anchesy length, 


Signed at lower left, WM. M. jeune and doicd 1895, a oe ; 


Society of American Artists, 1905, Shaw Fund picture. ns 


(Illustrated) 


¢ 


CRN ‘asvy) iUtisayy moyyry Sg 


TIV) AIGNAMYT Y—t6I “on 


ee 


IRVING RAMSEY WILES, NA. 


bo - POA ; 861— . 
| MERICAN: 1861 dn sl hi ri | 


Baer co YELLOW ROSE 


1) RN a RRR BAS ny Noni RCN STP OT Ree 


465: is putting a yellow rose into her dark Hae 


SMM TET NTO me TON LT TF ep 


Height, 5794 inches; width, ay 2 inches. 


Signed at lower left, IRviNG R. WILEs. 
Society of American Artists, Shaw Fund picture, 1900. 
Pan-American Exposition, Igol. Ree Eo . | 
: Louisiana Purchase Exposition, St. Louis, 1904. 


Seventieth Annual Exhibition, Pennsylvania Academy of Fine Arts. . 


(Illustrated ) 4s Ree ‘ K _ 


a) 


N 


i 


ELLOW ROSE 
les, 


No. 194—THE Y 
(By Irving Ramsey W 


-EMIL CARLSEN, : 
AMERICAN: | 18 353: : : 


70 


19$—aA CONNECTICUT. HILLTOP 


SWELLING green meadowland broken iv Bs 
away to the gray undulating outlines of th 
ground, at the right, a group of three trees | 
yellow leafage, forming two great masses s of - 
summer. 


VN “uaspany pug Sg) 
dOLTIUF{ LAOILOANNOZ) Y—S61 “oN 


CHARLES MORGAN McII.HENNY, A.N.A. — 


/ 40 <F AMERICAN ? 1856—1904 a : ES 7 
Ht io ae 
196—ON THE HIGHLANDS | ae 
OPEN pasture land beneath the cloudless blue v he as 


house on the horizon. In the foreground, two brown and eis 
and a calf, facing one another in the ee 


Signed at lower left, C. MORGAN Micli eae 


Purchased direct from the artist. 


we _ FRANKLIN DE HAVEN, N.A. . 
/40°# 


AMERICAN: 18 y. a, 


197-WINTER re Zi 


curtained at the right by stripped shivering woodland. 


Height, 25. inches; length, 30 inches. 


Signed at lower left, F. DE Haven, A.N.A. 


Purchased direct from the artist. 


f GEORGE HERBERT McCORD, A.N.A. 
f 


ie 70 —- AMERICAN: 1848—1909 yi A G Wf ; 
198—KENILWORTH CASTLE | 


_~RouGH moorland, with a pool of water in the foreground reflecting 
with an orange light the evening sky, which turns to purple the rugged 
skeleton of the old castle. In the right foreground a road, along which 
is tramping a countryman. 
Height, 26 inches; length, 45% inches. 
Signed at lower right, G. H. McCorp. 


q Purchased direct from the artist. 


EDMUND W. GREACEN, A.N.A. 


 KRE~- q ; | 
| MERICAN: 1877— : 
| — dues EM. Gteacery 
i) 199—PEGGY 
 THREE-QUARTER length figure in profile to the right, the head turned 
towards the observer, of a young girl of seventeen in a black lace dress 
with crinoline skirt, and holding in her right hand a painted fan. Green- 
ish-yellow background. 

Height, 40 inches; width, 36 inches. 
Signed at lower left, EDMUND GREACEN, and dated 1918. 
Pennsylvania Academy of the Fine Arts, 1921. 


Purchased direct from the artist. 


ROBERT V. V. SEWELL 


AME! RI soabeeine 1924 


sia 4 


200—THE JUDGMENT OF PARIS 


Tue heart of a forest, with a background . of auateg cee 
sunlit foliage, where is a flying dove. Seated in the foregrc 
and tas and eee sad in gece -red panes are Hera a E 


en ea ee ae a 


spe at oe left, RV: SEWELL, and dated 1897. nt 


Purchased direct from the Pealags. | Be air 


S. M. LAURENCE 


AMERICAN: CONTEMPORARY 


. - Aiaatg be Uy 


201—THE VIKING SHIP 


Tue flat sandy shore of the foreground curves round to thy aan 
where great cliffs, touched with the pink glow of the sun, drop abruptly 
to the shore, forming an inlet. Into the anchorage is put a viking ee = 
with lateen sail and dragon prow, dropping a small boat. ‘The sun in — 
the pale turquoise firmament strikes gaily on the top of the sail. 


LaF 


Height, 44 inches; length, 69 inch 


(7s oe 


Signed at lower right, S. M. LAURENCE. 3 ce 


Purchased direct from the artist. 


ange yey ines 


— 


- 


The cima ge Ce Tey renee 


1 peace emapan 


FRANKLIN DE HAVEN, N.A. 
30 7 AMERICAN: 1856— 


202—MOONLIT LANDSCAPE 


A FOOT track runs from the foreground into the heart of the picture, 
disappearing in the dark feathery masses of birches and poplars in 
the foreground; a full moon, partly hidden by clouds, looks down on 
the trees and the plain at the right and is timidly reflected in two little 
pools of water.- 

- Height, 36% inches; length, 48% inches. 


Signed at lower left, F. DE HAVEN, and dated 1893. 


Purchased direct from the artist. 


GEORGE R. BARSE, Jr., N.A. 


AMERICAN: 1861— 


203—_NIGHT AND THE 


WANING DAY — 


Tue hazy blue evening light wraps 
the group of two allegorical fig- 
ures, shrouded in a black veil, in a 
profound mystery of purpose. Side 
by side float the two women, the 
bent nude bodies modeled closely 
together, the waning Day holding 


between her hands the torch with 


an extinguisher ready to terminate 
the last flickers of the dying flame. 


Height, 80 inches; width, 


40 inches. 


Signed at lower left, G. R. BARSE, 
Jr., and dated 1897. 


Society of American Artists, 1898, 
Shaw Fund picture. 


Sa; 


LS A iit te i 


Ls 


he! 


‘ 


OE 


- 
s 


Peds 4-4 


cDae 


GEORGE H. BOGERT, N.A. 
590 aid AMERICAN: 1864— ‘ 


| (ask Canrereglere 
204—VENETIAN SUNSET 


BETWEEN the Doge’s Palace and the Campanile, on the right, and 
domes and sails, at the left, the sun is setting in a horizon space of 
glowing crimson and gilding the clouds in the upper part of the sky. 
In the foreground, the water reflects the ruddy tints. 


Height, 36 inches; length, 56 inches. 


0, 


Signed at lower left, GEORGE H. BoGERT, and dated 1910. 
George A. Hearn Collection, American Art Association, 1918. © PSL - 


> 
° 
. 
Ne) 
. 


Ss a 


Soo % ALBERT PIERRE MAIGNAN 


FRENCH: 1845—1908 A ii : 


205—LA NAISSANCE DE PERLE 


THE sea bottom, with a shaft of sunlight striking diagonally down to 
the flowers and seaweeds and wreckage of the ocean floor. At the lower 
right, a huge pearl shell has opened disclosing the seated nude figure 
of a sea nymph, her arm upraised to embrace the head of the naked 
diver who has descended in quest of her; a finely painted and broadly 
conceived figure composition. At the lower left sleeps a second nude 
form, while far above, startled fishes scurry about affrightedly in the 
clear blue water. 

Height, 85 inches; length, 6% inches. 


Signed at lower left, ALBERT MAIGNAN, and dated 1890. 
WV orld’s Fair, Chicago, 1893. 


2 HERBERT DENMAN . 
| HO — AMERICAN: —1903 A, lhillsiwaw 
— 206—MANDOLINATA 


BEFORE a background of light wall is seated on a yellow settee, a young 
girl clad in a white décolleté and facing the observer, her head turned 
to left to read the music which she is picking out on the strings of a 
mandolin. At the right an occasional table, with a turquoise-blue 
porcelain jar filled with feather-grass. 


Height, 62 inches; width, 42 inches. 
Signed at upper left, HERBERT DENMAN, and dated Paris, 1885. 


Louisiana Purchase Exposition, St. Louis, 1904. 
Purchased direct from the artist. 


FRANCIS DAY, A.N.A. 


/00 7 AMERICAN: 186 
ae 
aria Mebane 


207—“DIDN’T YOU KNOW ME?” 


BEFORE a yellow wall, is seated in a Dantesque armchair a young girl | | 
clad in a black velvet dress and bonnet, and carrying a black lace fan, — 
who has just taken off a mask and is smiling triumphantly at the ob- © 


server. 4 
Height, 30 inches; width, 20 inches. i | 
Signed at lower left, FRANcIS Day. 


Purchased direct from the artist. 


OTTO STARK 


Ved _ AMERICAN: a ys 


208—APPLE JACK 


A FIELD of wheat, shorn in the foreground, with reapers busy in the 
rear in the partial shade of a curtain of green trees. A small boy in 
shirt, brown breeches and sunbonnet is strolling jauntily to the right 
over the stubble, with a jug in his left hand. | 


= 


Hegue 32 inches; width, 24 inches. 


; , ee 
+ c : « > y \ 7 ’ 
; avert ay? =e J . » cath t ace =) 5 . : _ ee FT ae ae 
eR eee Met St, tins Vie ie yr i ih aie : a sale Ponte dese ens 
; ioe OVEN Pa ies: _ rE en eee ba Aine oe to 
ee ee fe es ye a eee ait Meta. ee " . ae beste 4, Seg 8 
ms . i: sorerees ree: one ee Sy : rae OY ~ erin a 


Signed at lower left, OTTO STARK, and dated 1887. 


Purchased direct from the artist. 


J. DESVARREUX LARPENTEUR 
130 “ Frencu: XIX CENTURY 


_ 209—CATTLE AT CHARNY 
RIcH green pasture land, fringed with trees and rising to a gentle hill 
behind, under the clouded sky. <A group of cattle, a peasant in a blue 


smock, and in the foreground at the edge of a small pool of water, a 


black and white cow seen in profile to the right and a dun bullock 
facing the observer. 


Height, 32 inches; length, 52 inches. 


Signed at lower left, J. DESVARREUX, and dated 1884. 


enone tcalf ~= pp de eS agen wv mg pin te ay seal e 


Chicago Exposition, 1885. 


Purchased direct from the artist. 


J. ‘SD HARRY VAN DER WEYDEN eiedean.. 
AMERICAN: 1868— A Iiltiwar) 
210—_AUTUMN 


A paTH through a wood banked on either side by tall masses of foliage 
and tree trunks blazing with a riot of russet and yellow color, against 
which the sky behind is of pale ivory. 


Height, 36 inches; width, 26 inches. 


Signed at lower right, H. VAN DER WEYDEN, and dated 1912. 


Purchased direct from the artist. 


Dee dee Henan PRE At aCe RENN COS 


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: : Bist OF ARTISTS ‘REPRESENTED 
* AND THEIR WORKS 
f , CATALOGUE 
_ ALBERT, Ervesr oe 
| Early Spring $3 
| AMSDEN, Wittiam T. 
| : Spring Orchard 97 
_ BARSE, Georer R., Jr. N.A. 
| 2 A Tribute to the Satyr 89 
\ Night and the Waning Day 203 
BENSON, Frank Weston, N.d. 
Moonlight on the Waters 153 
Summer 176 
BOK NELL,. E. -M_ 
Seashore ‘i 49 
BLENNER, Carte J. 
Luxembourg Gardens, Paris 4 
The Open Fire 88 
BLUMENSCHEIN, Ernest Leonarp, 4.N.A. 
Preparing for the Hunt | Ee 
BOGERT, Georce H., N.A. 
Venetian Sunset 20-4 
HkissO 1, FE. 
Sheep 26 
BROWN, Roy 
Early Winter 66 


BRUESTLE, Georce M. 
| New England Pastures | III 


a 
~ CATALOG (UE 
NUMBER 
BROWNE, GeorGeE Etmer, 4.N.A. . 
Marine 
Monte Carlo 
Storing the Grain 
The Forest Workers 


CALVES, G. 
Hauling Wood 


CARLSEN, Emit, N.2A. 
A Connecticut Hilltop 
Garden Scenery 
Marine 
Still-life—I. 
Still-life—lITI. 
Winter Beeches 


CARRIER-BELLEUSE, PIERRE 


Pierrot 


CHASE, Wittiam Merritt, JN.Z. 
A Friendly Call 
Idle Hours (Shinnecock) 
Self Portrait 


CHAPMAN, CartTon T., N.2A. 
Marine 
Noises of the Night 
White Wings 


CHURCH, Freperic Stuart, N.A. 
A Doll Matinée ! 


COFFIN, WiLit1am ANDERSON, JNV.A. 
Marine: Early Evening 


COHEN, Lewis, 4.N.A. 
Pont St. Michel, Paris 


COOPER, CoLIn CAMPBELL, JN.Z. 


The Riva Schiavoni, Venice 


CATALOGUE 


CORNOYER, Paut, 4.N.d. cae 
A Farm 68 
A Hazy Night 139 
Winter Scene: 59th Street, New York City 39 


COUSE, EANGER IRVING, N.Z. 
Indian with Bowl 


155 
CRANE, Bruce, N.ZA. 
A Sketch (Eventide) I 
Apple Orchard 70 
Apple Blossoms 17 
Autumn Grays _ we 14-9 
Autumn Landscape SI 
Estival Landscape — 146 
Farmhouse and Apple Blossoms 161 
Golden Meadows 55 
Grey Field 187 
Indian Summer 30 
Landscape with Stream 41 
Misty Sunset 120 
Sand Dunes 44 
Snow Effect 63 
Snowbound 183 
The Pond 8 4 
CURRAN, CuHaries Courtney, N.A. 
Autumn Evening T13 
Early Morning in June 148 
Evening—Pont St. Michel 106 
Flying Kites 73 
| Making Hay 2 
i Milking ‘Time 144 
{ Peonies - 130 
| Rhododendrons my, 
The Cabbage Patch 121 


DAVIS, WarreEN B. 
Lady Reclining on Divan 116 


- 


ee 
CATALOGUE 
NUMBE R 


DAY, FRANCIS, A.N.A. ri : : ea f ar 
“Didn’t You Know Me?” 4 207 


DEARTH, Henry Goxpen, N.4A. a 
Landscape 


DE HAVEN, Franxkuin, N.4. : 43, San 
Harvest Moon ! 
Hillside Landscape 
Landscape ; 
Landscape with a Road 
Moonlit Landscape 
Sheep in Storm 
Squall on Coast 
The Water Spout 
Winter 


DENMAN, HERBERT 
Coquetterie 
Mandolinata 


DESSAR, Louis PAULy Wd. 
Landscape in Evening Glow 
Return to the Sheepfold 
Sheepfold 


DUFNER, Epwarp, J4.N.2d. 


Summer Morning 


DUNSMORE, Joun Warp, 4.N.A. 
The Court Jester 


EATON, CHARLES WarREN, N.A. 
After the Storm 
Evening Light 
Marine: The Port 


EDE, FREDERIC 
Winter 


FALERO, Luts 
Night 


FOSTER, Benjamin, N.A. 
Gloire de Dijon 


FRANZEN, Avucust, N.2. 
Harvest Time 


Old Man (St. Pierre) 


GAUL, WILLIAM GILBERT 


Tennessee Hunters 


GAULEY, Rosert Davin, 4.N.A. 
Dutch Interior 


GAY, Epwarp, JN.2/. 
The Mianus River 


GELIBERT, Jutes BerTRaNp 
Reglement des Comptes 


GILES, Howarp 
Sheepscot Bay 


GORGUET, AvucGusTE FRANCOIS 
iia Voeue et la Perle 


GREACEN, Epmunp W., J4.N.A. 
Peggy 


GREEN, FRANK RussELL, J4.N.A. 
The Gardener’s Daughter 


GROLL, Apert Lorey, N.A. 
Arizona 
Autumn 
German Village 


HART, James McDovueat, N.A. 
Tree in the Meadows 


CATALOGUE 
UMBER 
QI 


109 


18 
118 


62 


56 


162 


98 


140 


102 


HASSAM, CuiLpe, N.d. 
In the Rain 


HAUSHALTER, Georce M. 
Flight of Gulls 


The Brittany Belle | 
JONES, Francis Coates, N.A. 
June | 


JONES, Hucu Botton, N.2. 
Early Spring 
Winter 


KENDALL, WILLIAM SERGEANT 


‘Green Gnome 


KRONBERG, Louts 
Ballet Girl in Blue 


LARPENTEUR, J. Desvarreux 
Cattle at Charny 


LAU RENGI SS vr 
English Coast 
Kynance Cove, England 
Marine 


The Viking Ship 


LAWSON, Ernest, N.A. 
Landscape with Brook 


LINSON, Corwin Knapp 
Winter Scenery 


MADRAZO, RatimunpDo 
La Coquette 


MAIGNAN, ALBERT PIERRE 


“Ta Naissance de Perle’’ 


2 Pe tame ee abenieineahe | ewe na IT : STATE Ah See er ye seems 1S 7 hicsiapleipaniialaatet i eases 
ES 2 ES AN ATER TOE I oe aoa Se eer ae 


5 ot a ee 


ot ReE I. 


CATALOGUE 
NUMBER 


MAYNARD, GerorceE WILLouGusy, N.Z. 


Mermaids 158 
Sport ar P73 

McCORD, GeEorGE HERBERT, J.N.A. 
A Windmill, Holland 52 
By the Sea i 108 
Dordrecht 141 
English Herring Boat I1g 
Kenilworth Castle 198 
Landsboro Woods | 16 
Massachusetts Coast 24 
Near Flagstaff, Arizona | 29 
Rocky Neck, Gloucester, Mass. : 136 
The Russet Marsh (Arizona) 132 

McILHENNY, CuHarztes Morcan, /.N.2A. 

‘ A Gray Morning | 188 
November =] | II 
On the Highlands 196 


METCALF, WiLLArp LEROY 
Gloucester Harbor m7 


MINOR, RoBERT CRANNELL, N.A. 


At Sunset 134 
MORA, Francisco Luis, N.d. 

On the Farm 34 

The Print Collector 7, 
MURPHY, Joun Francis, N.A. 

Autumn 71 

Autumn Days 185 

Group of Sycamores 74 


NAEGELE, CHaArRLEs FREDERICK, 
American Beauty 167 
The Young Mother 127 


NICHOLS, Hosart, N.2A. 
Midwinter 


OCHTMAN, Leonarp, 4.N.A. 
Early Morning : 
Homestead 
Landscape in Winter 
Moonlight 
Moonlight Village 
Wood Interior 


PARTON, Artuur, N.Z. 
The Hayfield 


PHILLIPS, J. CAMPBELL 
Profile of a Young Woman 


POTTHAST, Epwarp HENRY 
In Cloud Regions 
“Ring Around Roses” 


RANGER, HEnry W., N.Z. 


_ Landscape and Stream 


REDFIELD, Epwarp WILLIs 
Boothbay Harbor 


REINHARDT, CHaArRLEs STANLEY 
An Important Letter 


ROBINSON, THEODORE 
Giverny 
In the Sun 
Normandy Farm (Water-color) 
Normandy Farm 
Normandy Farm Buildings 
Normandy Mother 
On the Canal 
The Valley of the Seine 


CATALOGUE 
NUMBER 


I8t 


IQL 
123, 
45 
147 
166 
12 


I22 


163 


CATALOGUE 
NUMBER 


RYDER, CuHauncey Foster, N.A. 


The Old Road 184 
SANDOR, Maruias 

Mexican Indian Settlement 10 

The Three Graces 151 
SCALBERT, JuLes 

Face a l’Ennemi 46 


Un Moment de Répit 61 
SCHENCK, Avcuste | 


Sheep in Snowstorm R2 


SCHLABITZ, Apotr 
Schiitzenkonig = | 126 


SCHREYVOGEL, Cartes 


\ The Scout 25 
Dead Sure | 31 
 SEWELL, Rosert V. V. 
ta The Judgment of Paris 200 
SMITH, W. Granvitte, N.A. 
Indian Summer SI 
Landscape 135 
SILANLEY, G. H. 
Two Sisters 112 
Sao OTTO 
Apple Jack 208 
Evening 101 


TARBELL, Epmunp Cuar tes, N.A. 
The Bath | 190 


i TWACHTMAN, Joun HENRY 
} Hemlock Pool i i 


VAN DER WEYDEN, Harry 


Autumn 


VOLK, Dovctas, N.A. 
Puritan Girl 
The Woodland Maid 


WALCOTT, Harry Mitts 
Gossip 


WALKER, Henry OLiver, N.Z. 
Morning 
The Singers 


WALTMAN, Harry FRANKLIN, J.N.ZA. 


Landscape and Snow 


WAUGH, FReEpDErRIcK Jupp, N.4. 
Cornish Coast 
On the Cornish Coast 


WATROUS, Henry WIttson, N.ZA. 
A Quiet Smoke 


WEIR, Joun FeErRcuson, N.A. 


La France Roses 


WHITTEMORE, Wituiam Joun, J4.N.A. 


My Little Lady 
Old Fashioned Garden 


WIGGINS, CarLetTon, N.A. 
A Shepherd and His Flock 
Evening Glow 
Holstein Bull 


WIGGINS, Guy Carteton, 4.N.A. 
A Sea Port 


CATALOGUE 
NUMBER 


210 


19% 
189 


66 


180 
75 


69 


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INET 


Reb hima SAIS 
mem UNITED STATES AND STATE TAX 
Peon aNCE AND OTHER PURPOSES 
PxPAlLOGUES OF PRIVATE COLLECTIONS 


eA pPRAISALS. The American Art Association, Inc., 
will furnish appraisements, made by experts under its direct 
supervision, of art and literary property, jewelry and all 
personal effects, in the settlement of estates, for inheritance 
tax, insurance and other purposes. 


CATALOGUES. The Association is prepared to supple- 
ment this appraisal work by making catalogues of private 
libraries, of the contents of homes or of entire estates, such 
catalogues to be-modeled after the fine and intelligently 
produced Sales catalogues of the Association. 


Upon request the Association will furnish the names of 
many Trust and Insurance Companies, Executors, Admin- 
istrators, Trustees, Attorneys and private individuals for 
whom the Association has made appraisements which not 
only have been entirely satisfactory to them, but have been 
accepted by the United States Estate Tax Bureau, the 
State Tax Commission and others in interest. 


The AMERICAN ART ASSOCIATION + INC. 
MADISON AVENUE» s6tx to 57TH STREET 


New York (ity 


COMPOSITION, PRESSWORK 
"AND BINDING BY 


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